Sony has revealed three new party speakers and — hurrah! — I’ve had the chance to hear them for myself. The Sony ULT Tower 5, ULT Tower 7, and ULT Tower Max look to offer almighty audio output for parties, DJ sets, or even karaoke sessions, with various ways to play and connect.

These bass-conscious new speakers are built around newly developed large, circular woofers (a departure from Sony's almost rectangular X-Balanced woofer unit, typically seen across the ULT range), and according to Sony, the Max model specifically delivers the most powerful bass in the ULT Power series to date. Their bold designs — which also deviate a fair bit from previous ULT speakers — as well as their massive power outputs and broad connectivity options could make them a major rival for the likes of JBL’s PartyBox models, if the sound is right.

Just how good do Sony’s new ULT speakers sound? I attended an impressive demo and I’ll reveal what I thought shortly. First, let’s run through everything I learned about Sony’s Towers, from technical specifications to nifty new features.

Taking a closer look

Let’s look closer at each of the three new ULT Tower speakers, and go through the key technical details.

The ULT Tower 5 is the smallest in the new line-up, but it still packs quite the punch. It contains a 230mm woofer and two tweeters with a 300W maximum power output. Meanwhile, the ULT Tower 7 boasts a larger 280mm woofer, alongside two mid-range units, and four tweeters — two front-facing, and two rear-facing. The rear tweeters are also angled for a wider soundstage. The ULT Tower 7 has a 420W maximum power output.

Finally, the ULT Tower Max is a true beast of a speaker. It has three woofers, two front-facing, one rear-facing. But it also comes with two-midrange units, and four tweeters, two of which are rear-facing. Its high-power amplifier delivers 2,150W of output, making it one of the most powerful party speakers I’ve ever encountered.

I want to focus in on the woofers for a moment, because Sony were really keen to stress the changes made for the new ULT Tower models. Unlike some previous models, the new Towers have circular driver units for the woofers, rather than the ‘X-Balanced’ alternative.

Sony Product Manager Mike Somerset told me: “X-Balanced is fantastic for a smaller, compact system and maximizing the surface area inside — let’s say, for a rectangular speaker unit, you know. And it also delivers a really great, impressive ‘attack’ bass. But with these, we really wanted to emphasize deep bass — and to be able to do that we’ve moved to this circular driver unit”.

The speakers also have large capacity cabinets and ULT Duct tech, which is intended to help each model produce “deeper, more powerful bass with greater authority”.

Do it your way

As well as talking up the outrageous power of the ULT Towers, Sony was keen to share the impressive customizability of the speakers. That’s because there are a number of sound modes, all of which are designed for specific situations and genres.

There are two ULT modes. The first, Sony says, is intended to enhance deep bass for “a rich, low frequency sound that makes your heart tremble,” with the second made to ramp things up even further for “even greater power, delivering body-shaking bass and strong sound pressure”.

What’s perhaps more interesting, though, are the ‘Flat’ and ‘Live’ options. As you’d expect, Flat is designed to make a track sound as it was intended to at the mixing desk, with a more neutral, balanced approach. Live, however, is focused on delivering a more spacious sound, with a strong emphasis on vocal clarity.

The speakers were tuned with the help of a number of "Hip-Hop sound creators," including producer, songwriter, and DJ, Dready, who spoke with me about the EQ adjustment process. On the Flat tuning, he said, “That’s how I would have it on a DJ set, because obviously on the controller you have the lows, mids, and highs, and we just gave it a nice blend… so, you know, when people take it, they can express themselves how they want”.

Of course, if you want to personalize things even further, you can connect to the speaker with the Sony Sound Connect app and make use of the multi-band custom equalizer instead.

So…how good do they sound?

Do the ULT Tower speakers sound any good? Allow me to go through them one by one.

The ULT Tower 5 arguably impressed me the most, relative to its size and cost. Sure, it leaves out the 360-degree Party Sound feature that the larger models adopt (presumably due to its lack of rear-facing drivers), but its raw power and regimented sound were hard to ignore. When listening to Luther by Kendrick Lamar and SZA, the speaker showed its considerable versatility. The vocal sample in the intro sounded textured and resonant, but then the drive and power of deep bass hit with surprising impact. Bass, though the clear star of the show, sounded controlled yet powerful, and never shrouded vocals in the mids or drums up high.

We cycled between the various sound modes, and the switch between an ‘attack’ bass and deep bass mode was pretty striking. It was incredibly seamless to sift through the different modes using the ULT logo — which also happens to be a button. It’s too early to say if it’s a sure-fire hit, but for £349 (around $470 / AU$660, but these are guesstimates based on the UK pricing right now, since Sony hasn't disclosed official pricing for these regions at the time of writing), the ULT Tower 5 sounded far more impressive than some rivals I’ve tested in its price and size class.

Things got even louder when we switched to the ULT Tower 7. We tried listening to Don’t Start Now by Dua Lipa, and low-frequency sounds were full-bodied, agile, and striking. Treble sounded pretty forward to me, with higher-pitched percussion seeming highly prominent, while vocals sounded clear and well-weighted in the mix.

We also tried out Money by Pink Floyd, which is a great testing track for any speaker. The 360-degree sound seemed pretty effective here, and when pairing two ULT Tower 7s together in stereo mode, the spaciousness of the track was brilliantly recreated. Vocals and guitars sounded tonally accurate and well-separated, but that low-end still came through with immense drive.

Finally, we hopped over to try out the behemoth that is the Sony ULT Tower Max. I’m no stranger to a rave, and the Max made me feel like I was listening to a set at my local venue. I was able to pick a track of my choosing, so I threw on Breather by Chris Stassy. And this perfectly showed off the huge sound of the ULT Tower Max.

The pumping, deep bass was genuinely earth-shaking, and I could almost feel it vibrating through my soul. But spacey sounds in the mid-range still came through cleanly, and were provided plenty of room to express themselves. If you want truly mesmerizing power at a relatively moderate cost (all things considered), then the ULT Tower Max could be one to keep an eye on.

We also tried pairing ten of the ULT models together, and… as you can probably imagine, the results were palpable. Auracast technology allows multiple models to chain together, and even the LED lighting syncs up across each speaker, making for an especially immersive listening experience.

Final thoughts: enticing new designs and competitive pricing

The new ULT Towers feel like Sony’s attempt to genuinely take on JBL in the party speaker arena, with the latter being particularly dominant in this field. The party speaker segment has increased in popularity as of late, and we’ve even seen new entrants like Marshall releasing its Bromley 450 and Bromley 750 speakers.

But could the ULT Towers rival the likes of JBL’s Partybox models? Well, at a glance, I think they could. They offer incredible power, more than a lot of mainstream competitors, they have a new design with attractive lighting, refined sound with rounded woofers, and plenty of ways to make them sound right for you. And that’s not to mention the wide connectivity options, including Bluetooth, RCA, XLR, and USB-C.

For the power and features on offer, they’re also priced relatively modestly, with the Tower 5 coming in at $449.99 / £349 AU$549, the Tower 7 at $649.99 / £499 / AU$799, and the ULT Max at $1,499.99 / £1,299 / AU$1,999.

I was also impressed to see the battery life of the speakers, with 30 hours on the ULT Tower 7 and 20 hours on the Tower 5 — that’s quite a lot of playtime given the power demands. And although features such as 360-degree audio and sound modes are exciting, Sound Field Optimization (which analyzes speaker placement and surround noise levels to offer the best sound possible) are even better. That’s something that could really set this model apart.

We’ll have to test the ULT Tower models out for a bit longer to determine whether they can compete with the best, but so far, it’s fair to say that they’ve impressed me.

I spoke to Sonos' CEO Tom Conrad about the new launches — especially the new software, since any new software changes that Sonos makes will be met with caution from the community, as Conrad and I discussed last time we spoke.

First, here's a rundown of the details of what Sonos is launching, starting with the Ace Ultra. These new headphones will launch at $449 / £399 / AU$699, and bring a new 40mm driver promising improved sound — but more interestingly they're powered by a new chip called the Headphone Engine 2 that means they'll be able to do what people expected the original Sonos Ace to do: they'll be able to work as a standard part of the Sonos ecosystem.

The Beam Ultra, meanwhile, sits between the Sonos Beam (Gen 2) and the Sonos Arc Ultra — it's a compact soundbar, but it delivers 7.1.2 channels of Dolby Atmos sound, using nine drivers (including two upfiring drivers, which is a first for the Beam range). It launches at $699 / £699 / AU$1,099.

Both of the new products are available to pre-order on September 1, 2026, and will launch on September 29, 2026.

When it comes to software, Sonos has given its platform a name for the first time: Sonos 27. Part of the launch of Sonos 27 is the reveal of Sonos Fabric, which is the name Sonos has given to "the system capability that enables Sonos products to sense each other and adapt to the moment" — and immediately, Fabric is being used to enable smart music switching on the Ace Ultra, and the ability to have portable surround speakers in Sonos home theater setups. Conrad will explain both of those in our interview.

There are two other new elements to Sonos 27, though. Sonos 27voice is a new voice assistant that's based on AI tech, and Sonos 27mcp is a new way for AI agents to connect to Sonos systems and control them.

In our conversation, Conrad dug into why the company is doing all of this and what the company is offering for AI skeptics — so let's get into it, starting with Conrad's explanation of why they wanted to give the software a name at last.

Tom Conrad: When I got the nod to become permanent CEO about a year ago, one of my observations about the company's recent history was that while we had started as a system company, we had spent the last almost decade being really focused on getting great at shipping individual products, filling out the product line with every shape and form that our customers were interested in. Small, medium, and large soundbars; a couple sizes of subwoofer; big amplifiers, small amplifiers; portables… you get the point. And Patrick [Spence, former Sonos CEO] and the team became a really well-oiled machine with respect to hardware execution.

But in doing that, I think the unintended consequence was that at times we took our eye off the ball [regarding] what it meant to bring those products together into a cohesive whole. And someone shortly after I arrived said that the thing about Sonos is it's really 100% hardware and 100% software. And I love that framing, because it's so right. We have these two really hard problems to solve, and if either one of them doesn't get complete dedicated focus from exactly the right people, we don't deliver what our customers expect.

And so, we've done all kinds of things to elevate the software expertise in the company over the course of the last year. And at the same time, we've really invested in the idea that the software is what makes the system. And as you look at how we've taken our products to market through the years, we've always given the hardware a name — Arc and Ace and Beam and Move — but the software has never had a name.

So one of the big announcements this week is that we're giving the software a name. And what we make is really an operating system for audio experiences in the home — and ‘OS’ has always been there in our name! And so we're simply calling the software Sonos 27 because, really, it is that ‘systemness’ that the software provides that makes Sonos. And we're attaching the year moniker to it, because Sonos does get better year after year. There'll be a Sonos28 and a Sonos29 and so on.

Matt Bolton: As soon as I saw the name, my first thought was whether this means we're talking about a planned update cadence, and that feels like it would probably be a different approach than Sonos would have necessarily taken in the past?

Tom Conrad: Yeah, I think one of the things about the company for the last many years is that because we only talked about the hardware, anything we wanted to do in software had to kind of ‘ride along’ on the hardware itself. And so we'd add Atmos, or we'd add voice assistants, or we'd add new surround experiences, but they would always be tied to the fact that we're making a new soundbar, so we can work on home theater experiences. We're making a product with a microphone so we can work on voice products. By separating out the idea of the operating system, we're giving it its own identity, its own road map, its own cadence of release, which we think is a really exciting change for the company.

And our customers can expect that the software doesn't get better only when we release new hardware. And it doesn't even get better just once a year. It gets better all the time through the year, which I think fits a new, modern way that people talk about their software platforms.

Matt Bolton: What we've been seeing more recently is you guys rolling out improvements and features on a pretty regular basis. The question I have as a user is: does this mean that I'm going to be waiting for a once-a-year Sonos 27 update to get new features?

Tom Conrad: I understand that feeling. But I think if you look at even what Apple does now, they once a year talk about their new operating system, and then the features roll out through the year, some of which they've sort of talked about in their big moments and some of which are a surprise and delight along the way, and our model will be exactly the same.

Matt Bolton: I assume this means that you've got a road map already in mind that covers Sonos 28 and Sonos 29. How far in advance are you thinking?

Tom Conrad: We do, for sure. Certainly, the list of things that I want to accomplish in software runs to many years. But one of the unique opportunities in software — unlike hardware, where you have to make these bets that go out, two or three years after you start programs — is that in software, even a big program might be six months of effort.

And so, while I like to have a two- or three-year road map for software, I like to be constantly replanning so that we can react to what's happening in our customers' lives. If you think back three years ago, for example, we hadn’t even had the ChatGPT moment yet. And so, to have a locked three-year roadmap and be resolutely dedicated to that path, not understanding how the world has changed in the last three years, would be foolish. And so we have a plan, but also the wisdom to be constantly reevaluating and reprioritizing as our customers' needs evolve.

Matt Bolton: How far ahead do you plan to communicate to customers what is coming? Like you say, Apple will announce at WWDC things it doesn't expect to necessarily launch until quite a bit later in the year.

Tom Conrad: I think it's likely that we'll do a couple of events or moments a year where we talk about what's coming and what's newly available. And so I think you can expect, in many years, there'll be kind of a fall event, like this one, where we talk about our big plans for the year, and then there'll be kind of a midyear check-in where we'll add to the story.

Matt Bolton: So let’s talk about AI integration. Generally, people have gotten to the point where they're now pretty skeptical of AI features being added to everything, but it sounds like you're taking a practical approach. So how do you assess what you should build and integrate — what you can do with, as you say, the three years of the ChatGPT ‘moment’?

Tom Conrad: I guess we'll start with what we do for skeptics. The things that we do with conversational AI are completely opt-in experiences, to the point that our speakers all have a hard microphone button on them, so you press it, and it literally breaks the electrical connection between the microphone and the rest of the device. So for those who are uninterested in this moment, we provide a platform that I think has incredible utility, even absent modern AI-powered capabilities.

But I think in some ways, the more exciting dimension of what we're doing is that we're really not starting from, ‘Oh, there is this incredible new technology in large language model, generative conversational AI infrastructure, what can we build with that?’ Instead, we're starting from really spending time with our customers and understanding what they might want to do with voice in the context of Sonos in their home. And we have the room to do that because we've been shipping voice assistants on Sonos for nearly a decade, including our own.

And when I talk to customers, they say, ‘I love the idea that I can engage with the Sonos system in my home without taking my phone out of my pocket. It takes a long time for me to get to the app, my partner looks at me sideways. Like, why are you on your phone when we're having a conversation?’ I mean, I think broadly you'd be hard-pressed to find somebody who's like, ‘I wish that the people I share my home with were on their phone more.’ Instead, they're looking for ways to put the phones in a drawer and enjoy being together.

I think voice is intuitively a great way to solve that, and that's why Sonos One, our first product that had a voice assistant, was such a smash hit 10 years ago. I think people understood that this is a great way to engage. But, unfortunately, the [voice] agents themselves really didn't meet the expectations of the customer.

When I go out and talk to people, the first thing they say is not crazily complex scenarios about how to control my smart home in nine different ways — all this stuff that you hear about from other players in the industry. They say, ‘I just want to be able to talk to the assistant about what I want the same way I would talk to a human being.’ I wanna be able to say, ‘Play that album that I loved in college, with the one with the singer from the Cocteau Twins. I think the band did the theme song to that Fox show. What's it called? It's about a doctor who's really grumpy all the time. Oh, yeah. It's called House.’

And, certainly, with first-generation voice assistants, even if they knew the name of the song, they would have to remember that you have to say ‘Play this song by this artist’ and not say the album and not say the artist first — and [we had to] guess what the agent is thinking. So job one, two, three, four, five, and six is: speak to this thing naturally.

The second thing that they say is they don't really care about all of these seemingly made-up examples of things that tech companies seem to think that we want to do. ‘I looked at your calendar and noticed that you have people coming for brunch tomorrow, and the refrigerator says you're out of eggs. So I'm gonna text your wife to tell her that you've gone to the store to get-’… I mean, no one wants the system in your walls to do that stuff in the real world, I don't think.

But they do want to be able to quickly control ‘atmosphere’, I would call it — which means music, means a soundtrack, and often means lighting. And yeah, they wanna be able to set timers. They wanna be able to ask about the weather. Everything else is really far down the list from there.

So we built [Sonos 27voice] to do exactly those things. It's really fast. It's really reliable. It's really resilient to anything you throw at it linguistically. And I think people are gonna be really delighted with just the fact that it just works. One benefit to narrowing the problem domain to exactly what customers are asking for is that we're also able to deliver this with modern infrastructure that is affordable to run, which means that we can make it a standard part of the Sonos system without having a secondary subscription on top — which is another dimension that people, I think, really want. They don't want another line item on their credit card just to be able to control the ambiance in their home.

Matt Bolton: What is the technology in the background? Are you using a particular language model? Are you running on your own servers or tying into someone else's systems?

Tom Conrad: Let me give you the one last piece of the puzzle that we hear from customers, because it will help me explain the architecture. They do also say that they want access to comprehensive world knowledge. I'm in the kitchen. I'm cooking a pork tenderloin. I wanna know what the temperature should be for it to be safe to eat. My wife and I are having a debate about the name of the actor from Ted Lasso. And people want the voice assistants to be able to talk to them about the world.

So you need something that is everything that I described, but also has the wisdom to reach out to a more sophisticated general-purpose model when the query is outside of the domain of ambiance and timers and weather and the stuff that makes up 95% of what people ask. So we've built our own core model that is a purpose-built, fine-tuned, kind of mid-scale large language model, if you like, that we run on our own infrastructure and answers that 95%, and then reliably routes to an external frontier model for the general knowledge or complex questions.

And we'll even do fun things, like if the frontier model can help in the task of figuring out the music, it will do that too. So you can say things like, ‘Find some music that's breaking through on TikTok and filter it through that shoegaze music that I liked when I was in college in the nineties and make a playlist for me.’ And it will use the frontier model to understand what's being talked about on TikTok. It'll use our infrastructure to understand my musical taste, and then it'll build a playlist and go. So that's what we're doing with Sonos 27voice.

Matt Bolton: I assume the frontier model will change over time, but which one are you using for launch?

Tom Conrad: We're not talking about the infrastructure at launch, but you're right to assume that part of the flexibility here is to be able to trade in and out frontier models to optimize costs, et cetera.

Matt Bolton: The other side of the AI features you announced that I'm really interested in is the MCP integration. Sonos has this long history of being relatively developer-friendly and open, which you guys emphasized a lot in the announcement of this OS. So the MCP integration feels like you’re re-embracing the element of wanting people to be making stuff that works with your system.

Tom Conrad: I think one of the exciting things that's happened in the last, not even two years, but in the last six months, is that suddenly we see ordinary people are able to make software, right? And I know we see it all over the company, and we see it all around the world with our customers. Already, unofficial hacked API access to Sonos is a very common, vibe-coded use case, and you hear people, lots of very high-profile people, talking about controlling their system. And then I meet customers all the time who are experimenting with these things.

And so, we're launching Sonos 27mcp, which makes a supported, full surface-area set of actions in the Sonos system available to our customers, to interact with music through any agent that they choose. Sonos will show up in the Claude connector directory — and the ChatGPT connector directory, and the Grok connector directory, and the Gemini connector directory — alongside Slack and Calendar and Figma, all the other things that you might interact with in Claude on any given day.

And you can do pedestrian things like turn the music down in Claude or whatever you’re using on your phone, in their app, in their desktop app, in a web browser. It will have enough context to understand that the music is on your Sonos system, and it will find the music that's playing and turn it down.

And it will also chain tools together, so you could say things like, ‘Look at my calendar and see the party that's coming up, look at who's coming, help me figure out what would be a great set of music to play based on what we know about these people from my email history with them.’ It's a terrible made-up example. But it's really good at chaining together a bunch of tools and its own native inference and doing these things.

And then as you point out, in the sort of hobbyist community, there's this tremendous opportunity to make bespoke control experiences, both software and hardware, using this infrastructure to integrate Sonos into the emerging agentic frameworks like OpenClaw and Hermes. There's going to be dozens of these things that take over, over the course of the next year, and we'll be able to participate in that.

I think it's just gonna be really fun to see what our customers do with this. And I think it's a really unique capability, because to do it well, you have to have both the technical infrastructure — which is to say access to the nouns and verbs of your system through the internet — which very few people have.

And then you also have to have the, like, philosophical perspective that says openness is good, and allowing integration and access from these third-party systems doesn't disintermediate us. It elevates us, and not every company — maybe no other company — has that perspective.

Matt Bolton: It feels like it must be part of building a future-proof system as well, because MCP seems like quite an agnostic approach, and it means that if, say, Apple adds good MCP support to Siri, you don't have to do anything to support it. But at the same time, does it make it any harder for you to develop on your end knowing that you're going to have this really open-ended way for agents to come in and interact with the system? Does that complicate building and planning features in any way?

Tom Conrad: First, just as a footnote, I should say that it may turn out that Apple's answer to all of this integration is not MCP, but what they call App Intents. And we're also, in this moment, shipping App Intent support on Apple's platform, so we have that piece as well. It's kind of a semantically one-to-one mapping — where the connector lives is different, but what you can do with it is very similar.

How do I say this… Maybe the worst of all worlds is to have all of the third-party engagement with your product be done through hacks and unsupported APIs… I have a friend who has a newborn, and he gets up early to work. He wants to be notified when his wife wakes up, so that he could put the coffee on. And so he basically just set [Claude] Fable about the task of, like, ‘Figure out when my wife wakes up’. And so the agent hacked his smart bed. And then he's like, ‘And start the coffee maker [at that point]’. And it hacked the API for his coffee maker.

I don't know that I wanna be on the receiving end of that universe, because now when I change an implementation detail, it breaks these experiences. And I think the customer blames the coffee maker company and the smart bed brand. They don't blame the fact that they essentially had hacked themselves on top of some infrastructure that was never meant to be built upon.

And so I think the new world sort of demands a certain amount of willingness to participate in this, and I'm really excited at the idea that the MCP infrastructure gives us a really nice structured way to not just do it once and have it applied to multiple platforms, but to do it in a way that allows for a layer of compatibility as we evolve the back-end services.

Matt Bolton: The other thing I wanted to ask regarding so much talk of this being an open platform is just how open are we talking? Would we see Sonos 27 on other devices, on non-Sonos hardware?

Tom Conrad: I think, for now, the magic of Sonos really is the marrying up of what we do in hardware and then what we do with software. And so you'd never say never, but at least as it relates to the core audio business that we're in, I think we're focused on making our own exceptional experiences for the home.

I will put a tiny asterisk on that. We have a great partnership with Peloton that started with us tuning the audio experience in their newest equipment, but is extending over time to allow the Sonos system in their customers' homes to become the audio destination for [their products’ audio output]. It's not quite us bringing the operating system into other people's audio hardware, but it’s a good example of continuing the work that we've all already done to integrate everywhere where our customers wanna be.

Matt Bolton: In the Sonos Ace Ultra, obviously the big headline hook for the hardcore Sonos fans is going to be the Sonos system connectivity that people had hoped the first Ace would have. Why is the new Headphone Engine 2 hardware necessary to make that happen?

Tom Conrad: There were two pieces to unlocking the headphone connectivity for the system. The first is that we needed Wi-Fi performance and secure storage transport of [security] credentials, which is deeply embedded into the actual silicon that goes into the headphone. Unfortunately, Ace doesn't have that platform, so we couldn't responsibly bring the feature to Ace without putting your Wi-Fi password, for example, at risk on an open network during configuration. And without the improved Wi-Fi capability of the headset itself, we couldn't get the kind of ‘walk around your home’ networking performance that we wanted for the product.

But to your point, I'm really proud of the original Ace. They're super comfortable. They've got great battery life. They've got best-in-class noise cancellation performance. They're great headphones.

But it is the best example of how, in that chapter, the company had forgotten how important it is to make sure that the products we make are really part of the system, and not just an exceptional pair of headphones. Because let's be honest, there are lots of exceptional headphones in the world.

And so from the jump on Ace Ultra, we knew that we had to do the thing that our customers most wanted, which was to make the headphones an intuitive part of the [Sonos] system.

There are two mechanisms for engaging with this feature. The first is really kind of magical: you can walk up to any speaker that's playing in your home, press a button on the headset, and the music just jumps from the speaker into the headphone. You can then walk to some other part of your house, press the button again as you stand in front of [another speaker], and the music or content jumps from the headphone to the speaker. No app, no delay, no Bluetooth; it's really just the Sonos ‘Fabric’ tech facilitating this effortless, seamless experience around the home.

I said there were two things that unlock this capability. The first is the hardware that lives in the new headphones. The second is something that happens in the operating system itself, which is that — with the launch of Amp Multi — we built a virtualization technology that allows a single instance of the Sonos OS to host multiple instances of the runtime. And what that's for in Amp Multi is that you’ve got one box running four rooms.

We've taken that capability and extended it to the whole modern speaker family, so that this Sonos Play that's sitting on my desk with me can run more than one instance of the runtime. And so the headphones, which don’t have the CPU horsepower to run the full Sonos stack, doesn't have to — because it can nominate a speaker on your network to be its proxy.

And so when you when the music jumps from the speaker [to the headphones], we spin up a virtual instance of Sonos [software] in one of the speakers — it might be the one you're standing in front of, it might be another one that's less utilized — and send audio over the network as a stream to the headphones, rather than running the full stack in the headset.

And what's cool about this is whatever speaker is doing that work still has the performance overhead to run as a speaker to play music for someone else in the home. So it's a deceptively simple feature that has a lot...underneath it.

Sonos Fabric is the moniker that we've given to the fundamental technology of Sonos that bonds, and groups, and links headphones. And the other exciting thing that we're doing with Fabric in this release is that we're enabling what we call portable surrounds, which is the ability to take a Sonos Play or a Move and to use them as surrounds in a home theater setup.

So the idea is you've got Sonos Play or a couple of Moves in the kitchen, the backyard, whatever — for movie night, you can bring them in, set them down [behind you], and use them for the surround Atmos experience in your family room. And then when you're done, put them back to work in other places in your house.

What's so cool about this technologically is that the way a speaker becomes part of your home theater is fundamentally technically different than the way that a speaker joins the grouping architecture of Sonos [for multi-room], because the latency requirements between the soundbar and the surround speakers are much higher.

So when a speaker joins a home theater configuration, it actually, from a networking standpoint, connects directly to the soundbar. It doesn't go through your home network. And so when you take a speaker that was in the kitchen as part of the grouping architecture, and move it into a [home theater] satellite position, a whole bunch of magic stuff has to happen.

First of all, the soundbar and the speaker have to recognize one another. And so we use the accelerometer in the portable speaker to understand that it's been picked up and set down. And when it's set down, we send an ultrasonic signal. If there's a soundbar in the room that can hear it, it sends a signal back, and they do a handshake to figure out left-to-right distance, to automatically tune, and spin up to the home theater networking connection — all without you doing anything. No app involved at all.

It’s another one you kinda have to experience to really appreciate, but I’m super excited to begin to ship these much more flexible home theater configurations. It's unlike anything that the rest of the industry is delivering today.

Matt Bolton: Can you tell me about the new driver design in the Ace Ultra? What did you want to change compared to the previous one?

Tom Conrad: We have just some of the most sophisticated audio engineers in the world working on these products, and they wanted to deliver deeper bass, clearer details, and a clearer soundstage with less distortion. We had the opportunity to go in and build a custom driver for Ace Ultra to tune it in the studio with some of the best, and award-winning audio engineers in the world.

You have to hear it and compare it side by side with Ace, but I think you'll find that it has a deeper bass response, clearer detail, [better] balance across the audio spectrum.

Matt Bolton: I thought it was really interesting that the Beam Ultra comes in kind of as a replacement for where the original Arc ended up in the product range following the launch of the Amp Ultra. Why did you go down the route of squeezing more channels into the smaller Beam body, instead of sticking with the bigger and more flexible Arc shape to fill that role?

Tom Conrad: Our goal was to deliver truly the best midsize soundbar in the world. There are still plenty of people around the world that want a smaller form factor. They want something that can tuck underneath the television when it's sitting on a credenza, or for a smaller television. Or, frankly, they just want an object that doesn't call as much attention to itself as a larger soundbar.

And yet they want full true 7.1.2 Dolby Atmos. They want a height experience that puts them really inside the action. And so with Beam Ultra, we built a system that has nine drivers, including two upfiring drivers, that bounce audio off the ceiling and the walls to create that immersion.

If you spend time with any home theater customer, you understand that they really want a pristine dialogue experience where the dialogue always cuts through the busy scenes. And so the center soundstage of Beam Ultra is dramatically improved.

They also want bass that lands with a tremendous weight without having to put a subwoofer into the room. They want music that's expansive and has a clear soundstage. And the creators want products that recreate their intention in the family room with great accuracy.

It's so hard to talk about these products that deliver these sound experiences before people have the chance to experience them in person. But everyone we're sharing Beam Ultra with just can't believe the amount of sound experience and presence you get out of such a small soundbar.

Matt Bolton: So was it the case that when you were speaking to customers, you figured out that if people are buying at this kind of midrange price, they more often want the smaller size rather than the bigger size — even if that adds complication on your end?

Tom Conrad: That's right. I mean, we already have the best-in-the-world large soundbar in Arc Ultra. And so the question really was for the rest of the market: what can we do to make a huge generational leap in capability here? And that's the place that Beam Ultra comes from.

Matt Bolton: It feels like you could have gone with 5.1.2 channels on the Beam Ultra, and that probably would have made people happy if delivered with higher quality. What was there in the development that meant that you settled on 7.1.2 as necessary, or the right option?

Tom Conrad: Well, I think part of it is that we deliver in Beam itself such an exceptional experience around the 5.1.2 experience. We really wanted to find a way to expand the product portfolio rather than just refreshing Beam. And so, in this moment, Beam will stay in the market as our solution for the customer that is more price-conscious and who wants that 5.1.2 experience, and Beam Ultra sits above it to deliver a more immersive Atmos surround experience.

When you think of JBL speakers, your mind probably goes to the likes of the JBL Go 5 or JBL Xtreme 5: portable party devices which you take on the go. However, the brand's new offerings are totally different.

JBL has unveiled its Cove range, consisting of three speakers that are designed to stay at home. That's not to say they're not portable, but you're not meant to take them camping or to the beach.

The family is made up of the smaller Cove M1, larger (but portable) Cove P1, and even larger (and not quite portable) X1. All three models are set to sell from October 2026.

All three models have a range of useful features: they can self-tune depending on the room they're in, automatically apply balances to avoid distortion, and pair together to create multi-room noise. They don't just pair with each other: they can also connect with the JBL Bar Mk2 to add real surround sound to your movies and TV.

These are all Wi-Fi enabled speakers, though they can connect via Bluetooth. This means they support Google Cast, AirPlay 2, Spotify Connect, Roon Ready, Tidal Connect and Qobuz Connect, and they'll apparently also support Alexa+ at some point after launch.

Their design makes us think about two things. Firstly, they'll be able to fight for a spot in our best wireless speakers guide, and second, their resemblance to the Denon 200, 400 and 600 range is hard to overlook — and given our glowing review of the Denon Home 400, JBL's Cove X1 (main image) is up against some stiff competition. That's not to say the new range can't wow us, just that it's tough at the top.

Music at home? Head to the Cove

The cheapest model of the family is the JBL Cove M1, which is due to sell for €229.99 (about $260, £200, AU$400). This has 2x 30mm and 1x 20mm silk dome tweeters, and a 4" woofer.

It's the only model to lack Dolby Atmos support, and it's designed to be compact so it can fit in various nooks of your home.

Next up, the Cove P1 will sell for €449.99 (about $520, £380, AU$760), and it has all the same drivers as the M1.

So why the higher price? Well, it's the only model with a built-in battery, letting you bring the sound into your garden. It'll last for 14 hours, with a recharging dock included to power it up. IT also has an IP56 rating, unlike the other models, in case it gets caught in a spell of rain.

For a little more, you can buy the Cove X1, which will go for €499.99 (about $580, £430, AU$860). It has 4x 30mm tweeters and 2x 4" woofers, so it'll offer a much more advanced sound than its siblings.

It's designed to offer "3D room-filling" sound, and for that price you'd hope so.

Is there any kind of audio tech that Yamaha doesn't make? For a while, compact streaming gear was one, but after a decade, the brand is returning to the space.

These new gadgets are called the WXA-70A, and WXC-70A, which seems unnecessarily confusing, but here we are. You'll be able to buy Yamaha's new offerings from some time in November 2026, though an exact release date hasn't been offered yet.

Let's start with the Yamaha WXC-70, which you can see pictured above: the compact streamer. This is due to sell for £859 (about $1, 170, AU$1,700), so it's the cheaper of the two models.

It's designed to connect and empower a range of household audio devices such as turntables, speakers, and TVs, with an in-built calibration microphone which can analyze your room to best optimize its acoustic output.

The WXC-70A is controlled via the MusicCast app, which lets you manage your sources and outputs, and play music from various services. It also supports Spotify Connect, Tidal Connect, AirPlay and it's Roon Ready. It can also be tied into your smart home gadgets.

A big draw to the device is its range of connections. Input-wise, it takes RCA, optical, HDMI (including eARC), USB-A, ethernet and Bluetooth (but only SBC/AAC), and its outputs include various RCA, optical, coax, a Sub Out port, and of course Bluetooth and Wi-Fi.

Getting amped up

The WXA-70A offers a little more, and costs more too at £1,199 (about $1, 630, AU$2,400). It measures the same size as the WXC-70A, at 22 x 26.7 x 7.3cm, but its 2.6kg weight (compared to the C's 1.9kg) shows there's more going under the hood.

Many of the features here are the same. It has the same calibration microphone, the same dials, the same MusicCast and smart home connections. It has the same inputs and largely the same outputs. You're paying more for its amplification skills.

The WXA-70A can output at 70W two-channel at 8 ohms, or 105W two-channel at 4 ohms, so it can pair nicely with bookshelf speakers or floorstanders. Basically, it's a powerful just-add-speakers small streaming hi-fi brain.

If you want something with even fewer boxes, Yamaha recently unveiled its latest streaming stereo speakers, which have all the connections built right in.

Seven years after its predecessor came to market, the Marshall Stockwell III is here — and wow, what a beauty.

From the moment I unboxed the Stockwell III, I was struck by its quality. Its striking amp-inspired aesthetic, complimented by luxurious PU leather, golden detailing, and a red velvet-infused handle made it likeable from the off. But could its sound live up to its enticing looks?

Well, I’ve spent hours upon hours listening to music and messing around with various features on Marshall’s new speaker, and I’ve got a fair few thoughts. So here’s whether it can compare with some of the best Bluetooth speakers around.

Let’s start with sound quality, an area where the Stockwell III is aiming to make quite the leap from its predecessor. Under the hood, you’ll find one three-inch woofer with 65W class D amplification alongside two 1.75-inch wide-band drivers, which both have 31W of class D amplification. This means that the Stockwell III is incredibly mighty for a speaker of its size, and offers considerably meatier audio than its predecessor could.

The Stockwell III’s impressive power really shines through in its performance — it displays a striking level of confidence with regimented, intent-filled bass, driven mids, and expressive highs that make it an incredibly enjoyable speaker to use.

In Home Meeting by Sadao Watanabe, I was impressed with the fluent and colorful leading sax, which played alongside substantial and weighty funky bass and accurate, precise drums in the treble range. As the track built towards its climax, the Stockwell III managed the swathe of instruments with ease, and backing vocals, guitars, horns, and bass all came together in a cohesive yet nuanced ensemble.

With a deeper track, like Vision of Love by Lewis Taylor, the Stockwell III proved that its power goes a long way. Pumping deep bass pounded through our music testing room with intensity, yet remained controlled and clean. Energetic drums high up in the frequency range also came through with plenty of bite, although neither end of the spectrum overshadowed the finer electronic details in the mid-range.

The Stockwell III can extend down to 54Hz, and although it wasn’t capable of the most full-sounding, consuming sub-bass, I still found that it coped decently with ultra-low frequencies. More generally, the speaker does have a bit of a bass preference, and although this may not be to everyone’s taste, a swift turn of the bass dial can easily get you the sound you’re after.

One thing I will say is that although vocals come through clearly on the Stanmore III, they perhaps lack the warmth and texture that you’ll find from some other premium speakers. To be clear, I still found that vocal-focused tracks sounded great on the Stockwell III, but audiophiles may wish for a bit more detail and depth.

As you’d expect with a recent Marshall release, there's USB-C audio onboard for lossless playback, and the speaker sounds great with a wired connection. There’s also a 3.5mm port if you’d prefer. Unfortunately though, there’s no LDAC for higher-res Bluetooth playback — something we recently saw on the Marshall Acton IV and Marshall Stanmore IV — which would’ve been nice to see.

But a couple of features really help the Stockwell III perform at an excellent level. For example, Dynamic Loudness helps the speaker maintain clarity, even at higher volumes, and I found that the Stockwell III still sounded excellent even when pushing volume up to 90% and beyond. Marshall has also implemented its True Stereophonic 360 sound, intended to make sure it sounds excellent from every angle, and this felt effective to me, resulting in the speaker having no true ‘sweet spot’ — ideal for a party situation, say.

One final thing worth pointing out about sound, is that the Stockwell III technically outputs in stereo. However, the stereo effects aren’t particularly convincing — in part due to the Stockwell III’s limited confines.

So the Stockwell III is a hit in the sound quality department. But how does it fare elsewhere?

Well, when it comes to features, there are quite a few options to uncover. For the moment, the Stockwell III is using the older Marshall Bluetooth app, unlike the newer Marshall software harnessed by the Acton IV, Stanmore IV, and Heston soundbars. This means that you only get a five-band EQ, though this still works well — and the speaker does sound great out of the box.

The app also enables you to use a soundstage mode to reduce or expand the width of sound, you can toggle on Source Mix to play media via wired and Bluetooth connections simultaneously, and you can map a specific EQ configuration to the speaker’s M button. In addition, there’s a placement compensation feature that genuinely makes a difference, as well as USB-C port configuration settings (you can make it charge other devices, play media, or both), and battery preservation options.

Speaking of battery, the Stockwell III is capable of providing 40 hours of playback — double what its predecessor could manage. That’s a phenomenal amount of playtime for a speaker of this size, and a seismic technological advancement, proving that Marshall are still one of the leading audio manufacturers when it comes to battery life.

I’ve spoken a bit about design already, but the Stockwell III is a true joy to behold. It’s also a lot lighter than Marshall’s alternate mid-weight speaker, the Marshall Middleton II, making it feel way more portable. It's also got more amplification power than the Middleton II and in my view, looks more premium — it’s the better mid-weight option overall in my view.

However, this does come at the expense of weaker waterproofing — the Middleton II is IP67 rated, whereas the Stockwell III is only IP55. That's still an improvement on its IPX4-rated predecessor and keeps it protected against splashes and dust ingress, but a lot of competitors shield their devices against full underwater submersion.

But let’s wrap up now. At $249.99 / £199.99 / AU$379, the Stockwell III isn’t the cheapest option on the market, but for its power, and its sound and build quality, it's an excellent value for money choice. At launch, the Stockwell II was priced the same as this new model in the US, but it's actually cheaper in the UK and Australia than its predecessor was at the point of release. With the improvements in acoustics, build, and waterproofing, that’s amazing to see.

Although the Stockwell III leaves out LDAC and is using the older Marshall Bluetooth app at the moment, I still think it’s a brilliant speaker. With confident yet elegant sound, amazing looks, and a fantastic feature-set, it's the best mid-weight Marshall speaker you can buy, and stands as a stellar upgrade over the Stockwell II.

Marshall Stockwell III review: price & release date

• Priced at $249.99 / £199.99 / AU$379
• Released in August 2026

The Marshall Stockwell III was released in August 2026, seven years after the Marshall Stockwell II came to market. It's priced at $249.99 / £199.99 / AU$379, meaning that in the US it costs the same as the Stockwell II did at launch, and it's actually cheaper in the UK and Australia. Considering the vast improvements it provides, that makes it a phenomenal value for money option. It’s available in Black and Brass or in Cream.

Marshall Stockwell III review: specs

Should I buy the Marshall Stockwell III?

Buy it if…

Don’t buy it if…

Marshall Stockwell III review: also consider

How I tested the Marshall Stockwell III

• Tested over a week-long period
• Mainly streamed tracks over Tidal
• Predominantly made use of Bluetooth and USB-C connectivity

I tested the Marshall Stockwell III over the course of a week, spending hours listening to music and exhausting its various features. I mainly had it connected to my Xiaomi 17 phone, where I streamed tunes over Tidal — predominantly using Bluetooth and USB-C connectivity.

When listening to music, I made sure to play tracks from a wide variety of genres — both from the TechRadar reference playlist and from my own personal library.

More generally, I’ve spent years testing audio gear here at TechRadar, where I serve as our in-house Senior Reviews Writer. I’ve tested all kinds of gadgets, from premium wireless headphones like the Sony 1000X The Collexion through to Dolby Atmos soundbars like the LG Sound Suite Immersive Suite 7 Pro. I’ve also reviewed countless Marshall speakers, including its recent Homeline releases, so I know exactly what to look for when putting the audio specialist’s tech to the test.

• Read TechRadar’s reviews guarantee
• First reviewed: August 2026

It turns out that major mobile manufacturer Xiaomi also makes Bluetooth speakers, and its latest model, the Xiaomi Sound Play, is aiming to deliver “immersive, powerful sound” as well as a “stylish and versatile” design.

But that’s not all. The tech giant is doing all of this while keeping its speaker nice and cheap. It comes in at just £49.90 (about $67 / AU$95) — which is refreshingly affordable for an 18W model with features such as smart lighting, Auracast, and IP68 waterproofing.

So can the Xiaomi Sound Play compete with some of the very best Bluetooth speakers around? The answer is a little more complicated than a simple yes or no.

Let’s start by looking at the areas in which the Sound Play excels, and there are a fair few of these. I alluded to some a moment ago — its waterproofing and LED lights, for example. That IP68 rating means that the speaker is fully dustproof, but can also survive a dunking under a meter and a half of water for as long as 30 minutes, so you really can take it anywhere without fear of damage.

The lighting — a key selling point of this speaker — is pretty neat too. Lights sit on the base of the speaker and beneath a panel on the top side, which resembles an infinity mirror. And the rings of lighting really help to make your listening sessions more immersive, especially in lower-lit conditions. You can customize the color and pattern of the lights too, and one setting also syncs up to bass output. That level of customizability is spectacular to see on a speaker in this price category.

More generally, I’m quite a big fan of how the Sound Play looks. It comes in four very stylish colors — the Purple variant I tried is quite the looker, as is the Green version. It is reminiscent of the JBL Flip 7 in terms of look and feel, with a neat fabric exterior and psuedo-cylindrical build. The inclusion of the infinity mirror light and handy rubber strap also make it a real stand-out, looks wise.

Another welcome inclusion is a built-in mic, for speakerphone duties. This is something you don't often see these days and it does add value, on paper. However, I made a phone call and although my voice sounded clear on the other end, I noticed a high-pitched chime whenever the other person wasn’t speaking. It wasn’t a dealbreaker (my discussion was still easy to navigate), but it's my job to notice these things.

Other highlights include a JBL Grip-rivalling 14-hour battery life — which is excellent for a speaker of this size — as well as Bluetooth 6.0 connectivity, and true wireless stereo playback for anyone with multiple Sound Play models at their disposal.

Something that the Sound Play omits, however, is companion app support. For me, this is a bigger miss — an app could’ve opened up EQ adjustment, remote light alteration, and precise battery life tracking. The speaker’s nominal price doesn’t quite excuse this either. There are a number of budget-friendly rivals from the likes of Earfun, Edifier, and Tribit that do come with app support.

By now you must be wondering how Xiaomi’s speaker sounds. In honesty, it’s a bit of a mixed bag. It’s a steady performer in some areas, but in need of improvement in others.

In general, the Sound Play delivers fairly clear audio. In Yes I Know My Way by Pino Daniele, vocals had good presence in the mix, and even had a decent sense of separation from other instruments in the mid-range. OK, higher-pitched drums weren’t the most expressive or articulate, but they didn’t sound tinny at mid-volume, and bass was weighted relatively well too.

With more energetic tracks, such as Trip by Ruze, the cracks started to show. There was a slightly compressed quality to the track, and the pumping bass just didn’t come through with the command or depth of similarly sized rivals, including the JBL Grip, which I directly tested against the Sound Play.

During this comparison, the Grip just delivered a more fun performance, with enhanced directionality and low-end punch. But that’s not to say Xiaomi’s speaker was blown out of the water — it still held its own with commendable clarity in the mid-range and fairly agile bass.

In House tracks, bass drops didn’t always have the impact or dynamism I was listening out for, and vibrant drums could occasionally sound on the blunt side. But then again, the Xiaomi didn’t succumb to a boomy, super-muddy sound that a lot of its budget rivals do — it puts up a fairly controlled performance overall.

As a smaller speaker, the Sound Play can’t get super loud, and bass will thin out substantially at top volume levels. It also won’t deliver the most detailed or open sound ever — again, I found a few tracks sounded a little compressed and narrow, which isn’t helped by the lack of higher-res codecs like LDAC or aptX.

All in all, I think the Sound Play sounds good enough for the price you pay. Sure, it’s not the most dynamic or revealing-sounding model on the market, but you get typically clear, decently balanced sound without having to shell out all too much cash.

So, looking at the Xiaomi Sound Play as a whole, would I consider it worth buying? Well that depends. If you’re on a tight budget, and you want a speaker for less than £50, then I think the Sound Play is an option worth considering. It doesn’t sound amazing, but it gets the job done, and I’m a big fan of its durable yet eye-catching design.

However, if you’ve got a little more money to play with, then I’d suggest picking up the JBL Flip 7. That model can produce truly seismic bass, incredibly clean audio, and has a top-class companion app to boot. The JBL Grip is another neat alternative, especially if you can grab it on sale.

Xiaomi Sound Play review: price & release date

• Priced at £49.90 (about $67 / AU$95)
• Launched in May 2026
• Scheduled to release in Australia in August 2026

The Xiaomi Sound Play was launched in May 2026, at the same time as its recently released 17T series. The speaker is available for £49.90 (about $67 / AU$95) in the UK, although Xiaomi told me that there are no plans for a US release, and the speaker won’t be available in Australia until August 2026. It can be purchased in one of four colors — Black, Green, Purple, or White — via Xiaomi’s digital store.

Xiaomi Sound Play review: specs

Should I buy the Xiaomi Sound Play?

Buy it if…

Don’t buy it if…

Xiaomi Sound Play review: also consider

How I tested the Xiaomi Sound Play

• I spent multiple days testing
• Mainly streamed tunes via Tidal
• Reviewed by someone who’s tested more than 50 Bluetooth speakers

I spent multiple days testing out the Xiaomi Sound Play, during which time I listened to countless tunes, exhausted its various features, and compared it against various rivals.

When listening to music I mainly streamed tracks over Tidal, but I dipped into Spotify from time to time as well. As always, I started out by sifting through the TechRadar reference playlist, which features songs from a wide variety of genres. I also listened to a ton of tunes from my personal library as well, though.

More generally, I’ve spent years reviewing audio gear here at TechRadar, and have tested a whole lot of Bluetooth speakers — more than 50 in fact. I’ve tried out everything from pocket-sized audio companions like the Bose SoundLink Micro Gen 2 through to luxurious large-sized alternatives like the Marshall Bromley 750, as well as Xiaomi Sound Play rivals like the JBL Grip, so I know exactly what it takes for a speaker to stand out in this highly competitive market.

• Read TechRadar’s reviews guarantee
• First reviewed: August 2026

This raised a deep curiosity within me. What if a Bluetooth speaker was judged on sound alone, with elements such as pricing, brand reputation, and looks holding no influence on people’s perception of quality? Well, I decided to find out for myself, and blindfolded four of my colleagues for a blind speaker test.

I played a 30-second snippet of a track, asked listeners to make notes, and when each speaker had been tested, I got my participants to rank each speaker from 1 to 5 (with 1 being the best, and 5 the worst). We repeated this process across five different tracks, each spanning a range of genres, in order to determine which sounded the best.

A few things to run through before we get into the results, though. The volume of the speakers were all equalized, but I ensured not to push them above 80% volume, in order to limit distortion and compression. Each speaker was also set to its default EQ, and tracks were streamed from a single source device over Spotify. Also, my listeners had no prior knowledge of the speakers involved in the test, so as to cancel out any prejudices or prior experiences they may potentially hold.

I decided to use five speakers in a very similar size category: the JBL Go 5, the IKEA Kallsup, the Bose SoundLink Micro Gen 2, the Edifier ES20, and the Ultimate Ears Miniroll. Some have a higher power output than others and some are considerably cheaper (or pricier) than others. And some sit in our guide to the best Bluetooth speakers, while others have fallen short. But interestingly, rankings varied quite a fair bit depending on the track and listener involved.

Curious to find out who came out on top? Here’s how our listeners ranked each speaker across each track, as well as the final scores.

Track 1: Fascinator by Max Dean

I started with a house track, Fascinator by Max Dean. I asked participants to listen to a short lead up to some sub-bass, and while I emphasized that the small models wouldn’t produce roaring power, I asked them to assess how well the speakers manage it. When the drop came in, I also asked them to judge how controlled and precise drums sounded in the treble range.

The results were pretty interesting here. Our cheapest option, the $10 / £5 IKEA Kallsup was the clear loser, with one listener, Caspar, noting ‘tinny’ highs and underwhelming bass — a sentiment generally shared across the board. It was quite close between JBL and Edifier here, with some listeners noting a slight lack in low-end impact, but improved mid-range performance and tighter treble.

However, the clear winner was Bose, which ranked 1st with all of our participants — and spoiler alert, this was the only instance of a unanimous verdict across the entire experiment. One listener, Ashley, noted how the track sounded ‘balanced with no distortion’ with others including Josh and Erin highlighting meatier bass and a pleasingly warm tone.

Track 2: Orphans by Cero

I changed up the vibe for Track 2, and played a snippet from the jazz-infused indie pop track Orphans by Japanese band Cero. Vocals are meant to be slightly forward, so I asked listeners to determine how well the speakers captured this, while also prompting them to judge how well-balanced percussion and guitars were in the mix.

The Kallsup unfortunately finished in last place once more, with Josh highlighting ‘rolled off’ vocals and unclear guitars in the mid-range. However, the JBL Go 5 wasn’t far in front, with Erin noting ‘lifeless guitars’.

The Edifier ES20 and UE Miniroll performed well, though, with participants highlighting better balance across the frequency range, warmer and more prominent vocals, and cleaner bass. The SoundLink Micro Gen 2 took the win once more, though, with an emphasis on clearer, more tonally accurate guitars, well-defined vocals, and more articulate percussion.

Track 3: The Girl From Ipanema by Stan Getz

I wanted to try out something softer next, so I went for the legendary Bossa Nova track, The Girl From Ipanema by Stan Getz. I requested my blindfolded colleagues to tune into the separation between guitars and vocals, the subtlety and texture of vocals and percussion, and control of the double bass. And this is where things got really interesting.

Surprisingly, Bose, which had been bossing it so far, finished in a lowly 4th place here, with listeners generally expressing disappointment with the speaker’s overemphasized bass and slightly unrefined treble response.

However, one thing remained the same, as the IKEA Kallsup came in 5th place. In fact, this was the only occasion in which every listener decided the Kallsup was the worst performer, with Erin writing: ‘No. What? What is this? It sounds like there’s a horde of bees trying to escape.’ Ouch.

Our champion this time out was the Edifier ES20, a speaker which I’ve often championed for its supreme mid-range clarity. Listeners appreciated this model’s beautifully balanced presentation, textured and controlled double bass, and detailed vocals. The UE Miniroll and JBL Go 5 finished 2nd and 3rd respectively, with our participants widely noting their relatively expansive interpretation of the track, and talking up their crisp, textured handling of vocals.

Track 4: Come On, Come Over by Jaco Pastorius

But how did the speaker manage a busier, more chaotic mix? I threw on Come On, Come Over by Jaco Pastorius, a funky, high-octane track that has it all. Participants were told to listen for the aggressiveness and clarity of horns, the quality of the track’s mid-bass punch, and how the speakers manage the swathe of instruments and vocals.

And it seemed that in this test, order was restored to how it had been up until Track 3. Bose came out on top, with Ashley praising the speaker’s balanced approach and Caspar highlighting the SoundLink Micro Gen 2’s impactful low end and enhanced vocal clarity. However, the Edifier ES20 and UE Miniroll did run Bose very close indeed. Participants enjoyed the tonality of the vocals, the decently open soundstage, and solid separation on offer.

IKEA’s Kallsup fell to last place, however, largely due to its unregimented bass and tinny mids. Meanwhile, listeners also felt that the JBL Go 5 struggled with the business of the tune, though some did highlight solid clarity in the treble range.

Track 5: Black Eye by Allie X

With Track 5, I wanted to assess the portable speakers’ handling of dynamics, so I went with an electronic song from TechRadar’s reference playlist, Black Eye by Allie X. Colleagues were asked to hone in on the attack of strings in the beginning of the snippet, and assess the control and dynamism of the bass and its impact, as well as the breathiness and detailing in the vocals.

And this was an incredibly close battle between Bose, Edifier, and Ultimate Ears. Bose just about managed to top the podium, with Erin delighted with the ‘dramatic strings’ and ‘expansive vocals,’ and Caspar highlighting dynamic bass and ‘nice balance between vocals and instruments’.

Josh’s favorite was the ES20, stating that vocals were ‘wonderfully conveyed’ and that bass was ‘punchy yet controlled’. Ashley, however, liked the UE Miniroll the most, arguing that it offered the cleanest low-end and most articulate vocals of the bunch.

But the poor Kallsup finished in 5th once more. Muted synths, a lack of texture and kick in the low-end, and recessed vocals left our listeners wanting more.

Final results: and the winner is…

So, the experiment drew to a close. Our listeners handed over their final scores, and I totaled them up to discover which speaker was king on sound alone. And the winner was… the Bose SoundLink Micro Gen 2!

Was I surprised by the result? Well, not entirely. I personally think this is a great-sounding small speaker, and its ability to produce meatier bass than much of the competition, alongside more precision in the treble range and clearer separation was all it needed to scoop up top spot.

What’s important to recognize, though, is that Bose’s small speaker is far pricier than all of the competition. It has a list price of $129 / £119.95, and while it certainly produces the goods in terms of sound, that’s an awfully high price tag given that you can nab larger, meatier, and more feature-rich models at that cost — the JBL Flip 7 is probably the first that comes to mind.

I was surprised, however, that the Edifier ES20 did so well. Josh selected the ES20 as his overall favorite, and it continually competed closely with Bose throughout, even topping the table in Track 3. In the UK, it’s less than half the price of the Bose SoundLink Micro Gen 2, but you really wouldn’t think so. Its composure and clarity in the mid-range is exceptional, and it has enough warm bass and controlled treble to keep more energetic tracks sounding as they should. If you want value for money, I think this model is absolutely worth checking out.

Another standout was the UE Miniroll, which Ashley picked out as her personal favorite. It continued to plate up clear mids and bass throughout, and I think it earns its relatively modest price.

Some may be surprised to see the JBL Go 5 a bit off the pace in 4th, but I still think it produced a solid performance across the experiment considering its limitations. It has a weaker power output than the top 3 speakers, which limits its ability to provide the drive and low-end might that others can. And although it could’ve offered slightly better separation, it's still a great small speaker given its low asking price of $54.95 / £39.99.

I felt very sorry for the IKEA Kallsup, which was regularly placed last by each of our participants. However, in the IKEA speaker's defense, not only does it have the lowest power output of the bunch (at just 3W), but it’s just $9.99 / £5. Yes, it's extremely cheap, and so the fact that it occasionally squeaked 4th place here and there is impressive in itself.

Check out the final table below, where you can see the final scores and rankings for each speaker, as well as their typical asking price. Were the results as you expected? Let me know in the comments!

Many PlayStation owners are vowing to boycott the PlayStation Store, cancel their PlayStation Plus membership and never buy PlayStation products again.

It's a PR nightmare for sure, with pretty much any online PlayStation content becoming a place for gamers to protest, derailing any attempt to talk about anything else.

It reminds me of the response to Sonos' introduction of a new and hugely flawed app, which Sonos now admits was badly done.

Sonos' PR nightmare lasted for around 18 months, there is now optimism and rebuilt trust around the new changes it's bringing to improve the app. Could Sony learn from Sonos' experience and its attempts to rebuild customer trust?

I think the answer is: yes it could, but no it won't.

What Sonos got right and Sony probably won't

Speaking to TechRadar earlier this year, Sonos CEO Tom Conrad set out his views on how to try and make angry customers happy again. "You just have to show up in people's life with some humility and do the hard work of earning their trust back through great execution, great product, great software, great experiences, and never forget what you put people through."

So far, Sony isn't doing that: rather than respond to gamers' concerns, it's battening down the hatches and staying silent about its move to digital-only. And that's a shame, because there are genuine reasons for gamers to worry about Sony's decision.

There are three key concerns about digital-only. The first, and I think the most important, is cost. The PlayStation Store is ludicrously expensive: for example Spider-Man 2, a three-year-old game, is £69.99 digital today in the UK, where I'm based. Competition between retailers means it's around £37 on disc.

The second is second-hand gaming. I buy many games second-hand, and many gamers like to sell their games after they've completed them or got annoyed by them, so that they can spend what they recoup on more new games (a win for the industry overall). So I can buy Returnal for about £20 on eBay. I can't buy the digital edition second-hand, so if I want the digital version it's… you guessed it, £69.99.

To be fair, you can get both games, and others, on PlayStation Plus Extra. But not everyone wants or can sustain yet another subscription, and we know that all subscription services go up in price — often dramatically so, as we saw with Xbox Game Pass last year.

And the third is ownership. Sony's disc announcement came just days after it deleted customers' purchased copies of over 500 movies, making it clear that purchasing doesn't mean owning forever. And those movies cost a lot less than £69.99.

Sony may have to eat humble pie for a while in order to mimic Sonos here, seeking out customer views to talk about those concerns, and maybe thinking about how to address them — so for example it could tell us that digital codes would still be sold through multiple retailers, like Nintendo does with its key cards, or that we'd be able to resell our digital-only games (even if it hasn't developed the mechanism for this yet).

However, the reality is that for a firm the size of Sony, even a significant customer backlash such as 246,586 signatures on a petition represents a microscopic proportion of its 125 million PlayStation Plus subscribers, let alone the many more PlayStation owners — and it can afford to ignore them.

That's something of a gamble. Just ask Microsoft, whose Game Pass price hike scared off far more customers than expected — according to reports, it lost 4 million out of 34 million Game Pass subscribers when it was expecting huge growth instead, forcing a partial reversal.

But Sony's gaming business is far bigger, and that means it can still upset a lot of customers without feeling much pain.

I suspect Sony is going to take a different lesson from the Sonos situation: even at the height of customer anger, Sonos still sold lots of speakers, soundbars and subs.

Then again, maybe Sony is more rattled than it's currently letting on. Two days after the digital-only announcement, with customers raging online, Sony CEO Hiroki Totoki sold more than half of his Sony stock and Sony's chief strategy officer unloaded a bunch of Sony shares too.

If you want to invite a speaker that looks as good as it sounds into your living room, then the new Marshall Stanmore IV could be a great pick for you. It aims to deliver everything its predecessor did, but better, with a broader soundstage, enhanced bass, and superior controls.

And as someone who owns (and loves) the previous model in this line, best believe I was expecting big things from the Stanmore IV. Luckily, it delivered, offering up impressive sound, a solid set of features, and an eye-catching design. But is it worth its relatively premium price tag? Here’s what I think after many hours of testing.

But before we decide whether the Marshall Stanmore IV can sit alongside the very best Bluetooth speakers, let’s take a look under the hood. This thing essentially uses the same setup as its sibling, the Marshall Acton IV, but crucially with a larger woofer. That means you’re getting a single 5-inch sub with 60W of amplification alongside two 0.75-inch tweeters with 25W of amplification. The result? Big, commanding, and engrossing sound.

I started by firing up Are You Gonna Go My Way by Lenny Kravitz, and the Stanmore IV handled it masterfully. Wailing electric guitars had excellent tonal accuracy and cut through with clarity; vocals also sounded driven and emotive.

Moving over to a deeper track, like Vision of Love by Lewis Taylor, and the Stanmore IV continued to impress. Deep bass pumping through the track hit with tremendous impact while remaining regimented and clean. But thumping low-end never came at the expense of sounds elsewhere in the frequency range. High-pitched drums sounded expressive and vibrant, while vocals in the mid-range were granted plenty of room to play in. Bass can even reach down to 38Hz, meaning you get brilliant, low extension — even sub-bass comes through with vigor and confidence.

LDAC is also on board now for higher-res Bluetooth listening, which helped to illuminate breathy vocal details in Black Eye by Allie X. And even though I’d argue the speaker has a more energetic sound signature, with a lot of focus on the hard-hitting low end, it still supplies a detailed, nuanced listen.

One of the limitations of the Stanmore IV’s little sibling, the Acton IV was its stereo playback. Although it whipped up a decent impression of stereo sound, its small size made it a little difficult to create the most meaningful sense of separation. But the larger, wider build of the Stanmore IV takes things up a notch, and in Jimi Hendrix's Foxey Lady I picked up on a stronger sense of separation, with lead guitar brilliantly placed on the right.

And, more generally speaking, the Stanmore IV whips up a broad, engrossing soundstage. Marshall has improved the tweeters and waveguides on this model to help disperse sound more evenly and provide room-filling sound. However the extra width has been achieved, it certainly gets the nod from me.

Marshall’s Dynamic Loudness tech also ensured that tracks maintained admirable clarity, even at higher volumes. Of course, you can still expect a bit of compression at 100%, say, but I was impressed with the speaker’s control in the upper echelons of loudness. The Stanmore IV is even better in this regard than the smaller Acton IV — perhaps thanks to its larger woofer and larger cabinet size.

Overall, the Stanmore IV provides powerful, driven, and exciting sound, with commendable depth and expression. It's bullish and confident, but still takes time to smell the flowers — and its wider soundstage and refined bass even helps it surpass its already impressive predecessor.

But now it’s time to move on from sound and look at a few of the features you can enjoy on the Stanmore IV. If you’ve already seen my Marshall Acton IV review, then you’ll get the gist of what’s on board. The Stanmore IV uses the newer Marshall app, enabling you to save three EQ calibrations (using a five-band equalizer), and you can use the M button to cycle between these if you like. The app also opens up placement compensation, enabling you to optimize the speaker’s audio output depending on its positioning, and there’s an option to change the brightness of the LED indicators.

Like the Stanmore III, there’s also RCA and 3.5mm connectivity, allowing you to hook up a turntable, or connect the speaker up to an AUX cable.

Something I wish the Stanmore IV did have is Wi-Fi connectivity. Not only does Wi-Fi provide the highest quality wireless listening experience, but it also prevents pesky sounds from your device — like phone calls and notifications — blasting from the speaker. What’s more, this is a home speaker, so it could easily have a stable connection to your home network at all times.

Marshall has multi-room covered with Auracast tech, which enables a bunch of its speakers to pair together, but I would’ve loved to have seen Wi-Fi onboard for the most seamless, quality-focused listening experience.

Another thing the Stanmore IV leaves out is voice assistant capabilities. Unlike models such as the Sonos Era 100 or Bose Lifestyle Ultra, there’s no smart voice control onboard. Although this is a function that I personally don’t tend to use on speakers, I know that some may wish for it on a model designed primarily for home use.

But something that’s sure to be a hit with most is the Stanmore IV’s design. This thing is an absolute beauty, and although it looks very similar to its predecessor, I’d argue that there’s no need to fix something that’s not broken. The new Stanmore stuns with a gorgeous faux leather exterior, beautiful speaker grille, and luxurious golden detailing. It looks like a true statement piece, and an item that will complement any living space (while still producing excellent audio).

As was the case on the Acton IV, buttons and control knobs are also perfectly responsive and pleasing to use, and there are also onboard EQ controls for altering bass and treble levels if you want to make some changes in a pinch.

So, now we come to the big question. Is the Marshall Stanmore IV worth the money? Well, it’s not the cheapest speaker around, with a price tag of $399.99 / £349.99 / AU$679, making it $100 / £90 / AU$180 more than the Acton IV. On the surface, that may seem like a significant jump for a speaker that’s almost identical — bar a larger cabinet and slightly larger woofer. But these seemingly small changes actually make a significant difference, in my view.

It maintains tighter control at the highest volumes, and also produces the seismic sound that Marshall has become associated with. And that’s not to do the Acton down — it’s just to say that I think you get your money’s worth when stepping up to the Stanmore. I’d also say that the Stanmore competes well against rivals in its price category, with a lower price tag yet more might than a rival like the Denon Home 400. I’d also argue it produces a more striking sound than a model like the Sonos Roam 2 — though you do miss out on Wi-Fi and a few smart features.

Overall, the Marshall Stanmore IV is a great speaker that produces energetic, impactful sound, alongside a stunning look and nifty companion app. Yes, I would’ve loved to have seen Wi-Fi on board, but with LDAC for higher-res Bluetooth streaming added into the mix, I’d still happily recommend this musical maestro from Marshall.

Marshall Stanmore IV review: price & release date

• $399.99 / £349.99 / AU$679
• First released July 2026

The Marshall Stanmore IV was released in July 2026, around four years after its predecessor hit the shelves. This newer model launched alongside the Marshall Acton IV, which is — in essence — a smaller version of the Stanmore. This model comes in at $399.99 / £349.99 (AU$580).

Marshall Stanmore IV review: specs

Should I buy the Marshall Stanmore IV?

Buy it if…

Don’t buy it if…

Marshall Stanmore IV review: also consider

How I tested the Marshall Stanmore IV

• Spent days testing the speaker
• Used at our dedicated music testing space at Future Labs
• Mainly streamed music over Tidal

I tested the Marshall Stanmore IV over the course of a few days, during which time I listened to hours worth of music and exhausted every feature the speaker had to offer.

Most of the time, I used the Stanmore IV in our dedicated music testing room at Future Labs, where I mainly streamed tunes via Tidal on my Xiaomi 17. To begin with, I sifted through the tracks in our TechRadar reference playlist — which features songs from a wide variety of genres — but I also bumped a bunch of tunes from my personal library.

More generally, I’ve spent years testing audio gear here at TechRadar. I’ve reviewed everything from premium wireless headphones like the Sony WH-1000XM6 through to Dolby Atmos soundbars such as the JBL Bar 1300MK2. I’ve also tested more than 50 Bluetooth speakers, including lots of Marshall models, including the Marshall Middleton II and Acton IV.

• Read TechRadar’s reviews guarantee
• First reviewed: July 2026

‘Larger’ is not the same as ‘large’, and so while the PSB iQ2 is the larger of the two models in the newly refreshed iQ range, it’s still a very compact little pair of speakers. ‘Compact’ in this instance, though, in no way implies a shortage of features or a restriction on performance

The standard of build and finish is good, the looks clean and understated no matter which of the seven different finishes you choose. The iQ2 has everything you could realistically hope for in a wireless speaker system costing this sort of money. It has — deep breath — wired and wireless connectivity (including a moving magnet phono stage for use with a turntable, and a HDMI eARC socket for connection to a TV), one of the best user interfaces around in the shape of BluOS, a total of 270 watts of power, frequency response that belies the physical size of the speakers, and authentically high-resolution playback. That's a lot.

Though you don’t get everything you could realistically hope for where sound quality is concerned, the PSB nevertheless has plenty to recommend it. Through every input except its phono stage, it’s a lively, engaging and informative listen, can deal confidently with rhythms and tempos, has a fair amount of well-controlled punch, and doesn’t overlook the finer details when it comes to unpicking a recording.

It can sound a little cramped via Bluetooth, sure, and its phono stage is dull when every other input sounds energetic. But as long as you’re not expecting small cabinets with small drivers to deliver hangar-filling sound you'll get from the best stereo speakers on the market there’s plenty to enjoy here.

PSB iQ2 review: Price & release date

• $1,399 / £1,199 / $2,299 (approx.)
• Released in June 2026

The PSB iQ2 active wireless stereo speaker system is on sale now. In the United States it sells for $1,399 — unless you like the walnut veneer finish, in which case it'll set you back $1,499. The equivalent in the United Kingdom is £1,199 / £1,299. The pricing is yet to be confirmed for Australia, but you’re probably looking at AU$2299 / AU$2499 or thereabouts.

There is neither the time nor the space to reel off all the very many excellent products that PSB is going up against at this price.

PSB iQ2 review: Features

• 19mm aluminum dome tweeter, 100mm mid/bass driver
• 24bit/192kHz DAC
• Wireless and wired inputs

It’s compact, yes, but PSB's iQ2 has found enough space to ensure it's equipped to justify the asking price. No aspect of its specification is underpowered.

Getting your audio information on board in the first place can be done in a number of different ways. All physical inputs are on the rear panel of the ‘primary’ speaker. It has sockets for HDMI eARC, digital optical, USB-C, USB-A and a moving magnet phono stage on RCAs for use with a turntable (this input is switchable to line level in the control app). There’s also a pre-out for connecting to a subwoofer.

The wireless stuff is covered off by Bluetooth with aptX Adaptive codec compatibility. The iQ2 is compatible with the BluOS eco-system, which means wireless access to every worthwhile music streaming service, internet radio and any content you may have stored on a device connected to the local network.

Once it’s on board, the digital stuff is handled by a 24bit/192kHz digital-to-analog converter before it’s handed over for amplification — the analog stuff, of course, is passed straight through. There are 270 watts of TI Burr Brown-derived Class D amplification to power the driver array — 45 watts for each 19mm aluminum dome tweeter, and 90 watts for each 100mm mid/bass drivers. The latter, mildly unusually, are positioned above the former. This is an arrangement that, suggests PSB, is good for a frequency response of 64Hz - 20kHz.

• Features score: 5 / 5

PSB iQ2 review: Sound quality

• Lively and informative sound
• Well-organized soundstage but not the largest
• Sounds dull via its phono stage

There are caveats here, and they concern the out-and-out scale of sound the PSB is capable of generating (or not), and the efficacy of its phono stage. But it’s probably best to start with the things the iQ2 gets — there are more than one or two.

With a Tidal-derived stream of Geese’s Getting Killed playing as a 24bit/44.1kHz FLAC file, the iQ2 is an energetic, engaging listen with a stack of pertinent observation to make where tone, timbre and basic detail retrieval are concerned. It maintains a nicely even-handed tonality, neither adding to nor subtracting from the organic heat of the recording. At every turn, it is attentive to even the finer details of texture and harmonic variation.

It sounds very much like it extends further down the frequency range than PSB is claiming, and when it’s down there it punches with well-controlled determination (as well as no little variation) and has no problems expressing rhythms believably as a result.

Frequency response is equally well judged, so when the system modulates from low end to midrange there’s no apparent step change. Then, once it's there, the iQ2 invests voices with plenty of character and emotional attitude, as well as revealing the finer details of technique. Move up again into the highest frequencies and, though the PSB is not the most substantial where treble sounds are concerned, it manages to describe shine and bite without becoming hard or glassy. The DSP-assisted crossover occurs at around the 3Khz mark, but it’s basically imperceptible.

There’s a fair amount of dynamic headroom available, so as well as having the grunt to play good and loud, the iQ2 breathes deeply enough to put worthwhile distance between the quieter moments of a recording and the points of greatest intensity and attack. And it can manage these transitions without audible stress or compression, which is not something you can automatically say about some of its nominal rivals.

The soundstage it creates is well defined and properly organized, so even complex recordings are laid out coherently. It’s not the most expansive soundstage you ever encountered, though. These are small-ish cabinets featuring small-ish drivers, and quite obviously there’s a limit to the scale of sound you’re entitled to expect. Got a great big room you want to fill with sound? You’ll be needing bigger speakers than these.

And it’s definitely worth noting that the above applies to most, but not all, of the iQ2’s inputs. It can, inevitably, sound a little squashed when streaming via Bluetooth — this is hardly unheard of, even in systems costing plenty more than this. Yet the integrated phono stage is an authentic disappointment. It gives away the bulk of the vibrant, energetic attitude the system displays through all of its other inputs and replaces it with an altogether more pedestrian, vanilla alternative. No turntable = no problem, of course, but if you have a record player you’d like to use, try and hear the PSB’s phono stage before you commit to spending any money…

• Sound quality score: 4 / 5

PSB iQ2 review: Design

• 246 x 145 x 192mm (HxWxD)
• Choice of seven finishes
• Rear-firing bass reflex port

If a significant part of the appeal of systems like this is their relatively discreet nature, then PSB is onto a winner with the iQ2. Even by prevailing standards it’s notably compact at 246 x 145 x 192mm, and as long as you give each cabinet’s rear-facing bass port a little breathing space then it’s very adaptable and flexible when it comes to positioning.

As is generally the case with PSB, the standard of build and finish that’s on display here is more than acceptable. The cabinet edges are crisp and clean, and the combination of MDF and aluminum used in the construction allows the speaker to be fairly light (7.4kg per pair) but notably robust. The main sleeve is of MDF, the rear panel is of aluminum, and the front baffle (which is separated from the main body by a slim slice of brightwork) is MDF on aluminum.

There are seven available finishes, which means there really ought to be something to suit your interior design choices, but I can’t help thinking I got the short straw with my review sample's ‘sandstone’ beige. It’s a rather insipid and non-committal color. I haven't seen them but I’d suggest that any of the black, white, ‘boreal’ green, ‘granite’ gray, ‘ember’ red or (cost option) walnut veneer alternatives are likely to be preferable.

For me, anyway, the fact the iQ2 is supplied with four little magnetically attached grilles that cover only the drivers rather than the entirety of the front baffle is probably a good thing. Unless you’re actually trying to disguise the colour of the speakers in the first place…

• Design score: 5

PSB iQ2 review: Usability & setup

• BluOS control app
• A few physical controls
• Easy to create a multi-channel or multi-room system

The primary speaker, the one with all the physical and wireless connectivity, also features a few capacitive (and illuminated) touch controls on its top panel. They’re useful if you happen to be passing, but of much more wide-ranging use is the BluOS control app.

BluOS is an increasingly popular control and management interface, one that’s been adopted by quite a number of manufacturers, and it’s easy to see why. It’s a clean, clear and stable interface, logical in navigation and extensive in its functionality.

Everything you need, from initial set-up — telling the primary speaker if it’s the left or right channel, for instance — and EQ control to establishing a multi-channel or multi-room system using any BluOS-compatible product, can be taken care of from here. Integrating your favorite music streaming service(s), accessing internet radio, checking for updates, so on and so forth — they're all here.

A great operating system is not, in and of itself, a reason to buy a wireless speaker system but it certainly makes it easier when you’re making your mind up.

• Usability & setup score: 5 / 5

PSB iQ2 review: Value

• Great specification
• Very acceptable build and finish
• Energetic sound

Just because you don’t get a whole lot in physical terms, doesn’t mean the PSB iQ2 doesn’t represent very decent value for money.

The specification is good, the operating system is better still, the standard of build and finish is very acceptable indeed — and best of all, the sound is energetic and engaging through all but one of the input options.

If you want nicely poised and enjoyable sound from a system that won’t dominate your room, there’s authentic value to be had here.

• Value score: 4.5 / 5

Should I buy PSB iQ2?

Buy them if…

Don’t buy them if…

PSB iQ2 review: Also consider

How I tested the PSB iQ2

I put the iQ2 on some Soundstyle speaker stands for the majority of this test — from there they were attached to a turntable and a CD player (via the phono input and the digital optical input respectively), as well as streaming via Bluetooth and from Tidal using the BluOS app.

I also tried them on a shelf for a while, and listened purely wirelessly, but because my shelves are positioned in the traditional way, it was quite difficult to get the rear bass reflex ports far enough away from a rear surface…

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• First reviewed: July 2026

In the last few months, Sonos has finally moved on from fixing its app's tech issues to improving it with new navigation and adding some useful new techy features, such as a key new network troubleshooting option.

But many Sonos users are just tired of waiting for long-requested features — such as the ability to add front surround speakers — so they're building their own alternatives instead.

We covered some user-created apps to improve the Sonos ecosystem not too long ago, and the list of available options continues to grow.

More Sonos apps than you can shake a soundbar at

First up there's "the app Sonos should have made" according to its creator: Somos InControl. It's an iOS remote for Sonos home theater products with custom EQ, saveable sound presets, surround height levels and music features too.

The big draws here are that it supports adding front left and right surround speakers, and the ability to save EQ options for different use cases — the example screen shot has slightly tweaked sound for 5.1 surround versus Dolby Atmos versus music listening that you instantly switch between. It's an Apple TestFlight work in progress so availability is limited, but it looks very impressive.

Moosic is a self-hosted music server app that offers an alternative to Trueplay's room tuning, with the always-welcome ability to display charts of the room correction, plus more customization options for the tuning.

It also enables you to switch your Sonos configuration — such as switching a pair of Era 300s from working as rear speakers to working as stereo music speakers — but to keep separate room-tuning profiles for each configuration, which again is something Trueplay doesn't offer.

If you're wondering why not just use TruePlay, creator AffectionateFox5907 explains: "Sonos does not provide a way to switch between home theatre and music setup seamlessly. My app does, but as part of that I lose Trueplay. When you unbond and rebond a speaker, each time it will lose its Trueplay configuration. My app basically builds a better Sonos app that adds features I've been wanting for a while without having to have a bunch of different apps. This now works with multiple subs and should work with fronts added as well."

One of the big downsides of using third-party apps that add front surrounds is that it disables Trueplay, so this is a win for people coloring outside the usual Sonos surround lines.

It also looks ideal for anyone who's found using their home theater for music to be a bit of a pain, and there are plenty of people who do: there's a whole Reddit thread asking for a simple switch between movie mode and music mode without having to reconfigure your system every time you do it.

Last but not least, MajorAtmosphere has created Kyuu (pronounced "queue"), an iOS Sonos controller that enables you to use UPnP for local files, which the Sonos app doesn't support.

As they explain: "Kyuu runs a lightweight local server that handles speaker discovery via SSDP, polls playback state, and sends commands directly to your speakers. The iOS app talks to that server over your LAN — no cloud, no Sonos account, no external dependencies."

Marshall has refreshed its mid-sized home speaker, which promises enhanced bass, dynamic loudness tech and improved tweeters, among other things. Yes, the Marshall Acton IV looks to be quite the improvement over its predecessor, and after testing it for myself, I have to say, it certainly makes good on its promises.

Let’s start by taking a look at the tech specs. The Acton IV features a single 60W woofer alongside two 25W tweeters, helping it to produce powerful and energetic audio. It also has a frequency response of 37Hz-38kHz, meaning it can extend down seriously deep for such a compact speaker — and you can really feel the bass… more on that later.

One standout difference between the Acton IV and its predecessor is its inclusion of RCA connectivity. This makes it a great option for hooking it up to turntables, for instance, and it’s easy to switch between Bluetooth and RCA mode with the built-in source controls. 3.5mm connectivity is back too, if you want to access lossless audio — something I always look out for when testing the best Bluetooth speakers.

Although these connectivity options are all very welcome, it would have been great to see Wi-Fi playback, given that this is a speaker most people will likely keep at home. Streaming using your home's Wi-Fi network is ideal for such speakers because it provides an even more stable, higher-resoltuion quality than Bluetooth can offer, and means that notification sounds on your source device don’t play through your speaker. Still, there is LDAC this time out — something that Marshall has been keen to integrate into its consumer audio products recently, as we saw with the Marshall Milton ANC. This opens up higher-res wireless playback over Bluetooth (provided you've got a source device that supports it), and it works great if you’re streaming on platforms such as Tidal, for instance.

Despite the omission of Wi-Fi, the Acton IV does include Auracast, enabling you to create a multi-room setup with other products from the brand, such as the Marshall Heston 120 soundbar and Marshall Stanmore IV. Some older models, like the Marshall Acton III can also join the Auracast multi-room setup with the Marshall Heddon streaming hub.

I was also interested to find that the Acton IV connects to the newer ‘Marshall’ app, which has so far been restricted to the brand’s TV audio gear. It feels more intuitive and detailed than the standard app, and features a five-band equalizer, which enables you to set three presets of your liking. You can also customize the speaker’s M button to cycle between these. The app also enables you to cycle between different sources, optimize audio with a placement compensation tool, set a standby timer, and adjust the brightness of the speaker’s LED indicators. Good stuff.

One thing that may dissuade some from picking up the Acton IV is that it lacks baked-in voice assistant support. This means that it can’t act like a smart home speaker in the way that a Sonos model would, say.

But, by now, you must be wondering: just how good does the Marshall Acton IV sound? Well it’s good news, because it sounds pretty great. Something that instantly struck me, is that the speaker has a very exciting sound signature, with attention-grabbing and relatively prominent bass, as well as energetic, forward-sounding treble.

This was great for livelier genres like dance tracks. For instance, in Get It On by Jansons, higher-pitched drums came through with serious bite, hitting with speed and precision. Meanwhile, pumping bass came through with great impact without ever overshadowing vocal chops and synths in the mid-range. Even with some deeper house tracks, I was truly wowed by the Acton IV’s bass extension. It can reach down into deep dark depths with great confidence, and even the sub-bass was full-sounding and seismic.

Luckily, the Acton IV continued to perform well with more laid-back tracks. In Ned Doheny’s Sing To Me, soulful vocals were nicely weighted, and came through with solid clarity. They weren’t separated to the point that they occupied a unique pocket in the mix, although when I bumped things up in the mid-range, they had a little more space to express themselves. Bass definitely remained fairly weighty, and although this gave the tune a pleasantly funky edge, some may prefer to mess around with different EQ settings.

It’s also worth noting that the Acton IV has a stereo sound configuration, rather than the basic mono that a lot of Bluetooth speakers use. While it doesn’t produce the most amazing stereo imaging I’ve ever experienced, this is understandable for a smaller-sized speaker. In All Along the Watchtower by Jimi Hendrix, vocals were well-defined in the left channel, and percussion expanded well beyond the Acton IV’s limited confines. With LDAC on, I also appreciated the speakers attention to detail, with small vocal quirks and subtle percussive elements illuminated to impressive effect.

My main critique of the Acton IV’s audio output relates to its control at higher volumes. Despite including the dynamic loudness tech seen on the Marshall Kilburn III, for instance, I found that the speaker could sound a tad harsh at high volumes. At 90% and above, compression was more noticeable, with highs turning slightly shrill and bass lacking the control I’d experienced at mid-volumes. It's pretty standard for speakers to compress towards maximum loudness, though, and if you’re looking for meatier sound, the mightier Stanmore IV is available.

Moving on to an area where Marshall speakers always excel now: design. The Acton IV looks very similar to its predecessor, but that’s no bad thing. It has enticing faux leather casing, a neat speaker grille, and a gorgeous golden control panel. Its amp-inspired aesthetic makes it feel like just as much of a statement piece as it is a great-sounding speaker.

The buttons and control knobs are also highly responsive and satisfying to use, and there are even onboard EQ controls for the bass and treble if you want to make some changes on the fly.

But it’s time to address the most crucial question of all: is the Marshall Acton IV worth the money? Let’s start by looking at its price. The Acton IV comes in at $299.99 / £259.99 / AU$499. That’s by no means cheap, and puts the speaker in competition with the Wi-Fi equipped Sonos Play and home speakers like the JBL Authentics 200.

I’d argue that the Acton IV certainly sounds up to scratch for this money. It offers mighty yet refined bass, clean and detailed mids, and vivid highs. It's also decently powerful, and would make a great fit for a small or medium-sized space. However, the lack of Wi-Fi playback may prove to be a deal-breaker for some — it’s the connectivity method many will favor for home speaker use, and again offers better quality and seamlessness than Bluetooth.

Still, its brilliant design, solid set of features and, of course, impressive audio capabilities, means this is still a great home speaker. All in all, I’d recommend the Acton IV if you want a powerful and stylish speaker, even if you’re a little limited on space. If you want something more portable, the Marshall Kilburn III is a great alternative, though, coming with a handle, 50-hour battery life, and waterproofing at a very similar cost.

Marshall Acton IV review: price & release date

• $299.99 / £259.99 / AU$499
• First released July 2026

The Marshall Acton IV was released in July 2026, just short of four years after its predecessor came to market. It launched alongside the Marshall Stanmore IV, which is essentially just a larger variant of the Acton. It comes in at $299.99 / £259.99 / AU$499, representing a slight price bump in the US, but continuity in the UK, if we’re comparing it against the Acton III.

Marshall Acton IV review: specs

Should I buy the Marshall Acton IV?

Buy it if…

Don’t buy it if…

Marshall Acton IV review: also consider

How I tested the Marshall Acton IV

• Tested across multiple days
• Used at our dedicated music testing space at Future Labs
• Mainly streamed music over Tidal

I spent days testing the Marshall Acton IV, listening to hours worth of music, testing its various features, and exhausting every option available in its companion app.

For the most part, I tested the Acton IV in our dedicated music testing room at Future Labs, where I mainly streamed tunes via Tidal on my Xiaomi 17. I started by playing tracks in our TechRadar reference playlist — which features songs from a wide variety of genres — but I also bumped a bunch of tunes from my personal library.

More generally, I’ve spent years testing audio gear here at TechRadar. I’ve reviewed all sorts of tech, from premium wireless headphones like the Sony 1000X The Collexion through to Dolby Atmos soundbars such as the JBL Bar 1300MK2. I’ve also tested more than 50 Bluetooth speakers, including lots of Marshall models, such as the Marshall Middleton II and Kilburn III.

• Read TechRadar’s reviews guarantee
• First reviewed: July 2026

The first six months of 2026 have been great for audio fans, with a range of very good portable speakers to cover pretty much every niche. There are ridiculously loud party speakers that'll annoy your neighbors, tiny portables that are perfect for podcasts, small speakers that are ideal for when you're showering and go-anywhere, play-anything portables for the great outdoors. And we've tested a ton of them with in-depth reviews.

So I've picked out the five top Bluetooth speakers we've review so far in 2026, now that we're half-way through the year. The products I've picked here aren't the only Bluetooth speakers launched in 2026 by any means — for example, there was IKEA's 10-dollar Kallsup speaker, which is so cheap you can buy stacks of them to make a musical pyramid, which we also tried. I also haven't featured stationary wireless speakers that may include Bluetooth, but tend to be more focused on Wi-Fi — we're all about the portable options here.

I've picked my top five based on our in-depth testing, their price tags and how well I think they'll fit into most people's lives.

5. Tribit Stormbox Micro 3

• List price of $64.99 / £62.99 (about AU$130)
• Released in April 2026
• Rating: 4.5 / 5

The budget Bluetooth sector is absolutely jam-packed with affordable options, but it's hard to beat the Tribit Stormbox Micro 3: it's super-cheap even at full price, and it's frequently discounted from the launch price of $64.99 / £62.99 (about AU$130).

With 24 hours of battery life, a solid build and IP68 dust and water resistance it's a great go-anywhere speaker, and while its single 48mm driver is small, it's surprisingly punchy, with impressive bass for such a compact design. We really like the sound the Micro 3 delivers: it's a good all-rounder for music, podcasts and audiobooks.

Read our Tribit Stormbox Micro 3 review

4. Marshall Bromley 450

• List price of $799.99 / £549.99 / AU$1,079
• Available from March 31, 2026
• Rating: 4 / 5

The Marshall Bromley 450 is the marginally more sensible member of the Bromley party speaker range: it's considerably cheaper than its very expensive sibling, but still puts out a whopping 400W of Class D amplification — and it can keep playing for over 40 hours, albeit not at full volume. With a list price of $799.99 / £549.00 / AU$1,079 it's still quite expensive, but you're getting a lot of bang for your buck.

In our Marshall Bromley 450 review, we praised its 360-degree audio and noted that you can pair it with a second Bromley over Auracast if 400W isn't shaking the building enough. And as someone who's carried many a Marshall amp up and down venue stairs, I love that it echoes the design of classic Marshall amps and cabinets. Like most of my favorite rock bands it's a little bit ridiculous and enormously entertaining.

Read our Marshall Bromley 450 review

3. JBL Go 5

• List price of $54.95 / £39.99 (about AU$75)
• Released in April 2026
• Rating: 5 / 5

JBL is one of the best-known brands in the Bluetooth speaker space, and it consistently delivers very impressive products with equally impressive prices. Last year's JBL Flip 7 and JBL Charge 6 are firm favorites of ours, and this year JBL has updated its cute JBL Go ultraportable.

We gave this new model the full five stars in our JBL Go 5 review, calling it "the best tiny Bluetooth speaker" — while 4.8W output means it's hardly a party speaker, it delivers impressive sound from its tiny case along with attractive edge lighting and a durable, waterproof design. It's one of the best-sounding small speakers we've ever tested.

Read our JBL Go 5 review

2. Sonos Play

• List price of $299 / £299 / AU$499
• Released on March 31st, 2026
• Rating: 4.5 / 5

So far we've been focused on Bluetooth-only speakers, but now let's turn to a portable option that can also be used in multi-room setups over Wi-Fi. Sonos is the big brand in that space, and the Sonos Play is a superb new addition to the Sonos range whether you want it to fly solo, take it on your travels, or use it as part of a wider Sonos setup.

It's a little more expensive than rivals, but the Sonos Play delivers powerful and well-rounded audio, has superb streaming support and connectivity including Hi-Res Audio over Wi-Fi, and its USB-C port can be used as an audio input: you can get an adapter that enables you to connect a turntable or other wired audio source.

It delivers up to 24 hours of battery life and sits on a good-looking charging cradle when you don't need to take it places, which means you can grab and go in an instant without unplugging.

Read our Sonos Play review

1. JBL Xtreme 5

• List price of $399.95 / £329.99 (about AU$560)
• Launched in April 2026
• Rating: 5 / 5

This beast makes the JBL Go 5 look like it was made for a Lego character. The rugged, chunky and very loud JBL Xtreme 5 is a bit of a beast, delivering mesmerizing bass from its rather hefty frame. It's marginally bigger than its predecessor, but the sound is bigger too.

As we said in our review, "this is how you do an upgrade. This model has more power, more striking sound, lighting for added beauty points, and an even more durable build than last time out." It's also solidly built, reminiscent of the old Nokia phones where if you dropped them, you were more likely to break the ground than your phone.

Dustproof, waterproof and with a long-lasting battery keeping the party going for up to 28 hours, the JBL Xtreme 5 is exceptional — but if it's just a little too heavyweight for you, the 2025 JBL Charge 6 is very good too.

Read our JBL Extreme 5 review

If the 2022 Audio Pro A15 was a natural Sonos Move rival, the newly launched 2026 Audio Pro A15 W might happily butt heads with the Sonos Move 2.

It could also compete with a new series of Bluetooth-only 'HYG' speakers from Jamo, the Denon Home 400 (which it resembles rather strongly), something from WiiM's expanding arsenal of products or the new Bose Lifestyle Ultra Speaker — top tip on that one: a review will be going live over the weekend and it's worth a read...

Back to the A15 W, though, and what you've got here is a portable wireless speaker that boasts room-filling sound, flexible streaming options and battery-powered portability that's built for both indoor and outdoor listening.

And that's where it has the edge over some (if not all of the competition), because your average Wi-Fi enabled speaker usually needs to remain hooked up to a power socket within your home.

Not so here — in fact, alongside Bluetooth capability and an 11-hour battery life, you also get a 'water resistant' IPX2 rating, so it'll survive a European shower (if not the deluges we've been seeing during World Cup matches in the US this week).

Audio Pro tells me it can also be used as a multi-room system with other A15 W speakers (or in fact any W series speaker from the Audio Pro range) but because it also supports both Apple AirPlay 2 and Google Cast, it should be easy to welcome it into existing Apple or Android-based multi-room systems.

The (Audio) Pro mindset

I've long been a fan of Audio Pro speakers, starting with the Bluetooth only T3+ I listen to every day, but having tested the five-star, Wi-Fi enabled Audio Pro C20, I know very well about the decidedly 'Hygge' adjacent firm's admirable way with HDMI ARC-toting, sub-out sporting, RCA hook-up-able AirPlay and Google Cast speakers.

Interestingly, the grille looks fixed on this model, and I've always been a fan of removing the grilles on my Audio Pro speakers to see the relaxed, rock-chic driver configurations underneath.

The A15 W features a two-way speaker system with a dedicated tweeter alongside a 4.5-inch woofer. You can stream music via Bluetooth too, with better-quality aptX support, and if using Wi-Fi you'll be aided by the latest Audio Pro app, to access compatible music streaming services directly. I've used it before, and I like it a lot.

For instant access to playlists and internet radio stations, six preset buttons across the top plate are there to offer one-touch playback without working out where you've left your phone. A 3.5mm aux input also enables connection to portable music players and compatible turntables or CD players. So, no HDMI ARC, sub-out or RCA this time (its newest rival, the Denon 400 also lacks these things), but there's the same contemporary fabric finish and contrasting aluminium control buttons as I've come to expect from the brand.

The Audio Pro A15 W is available in Dark Grey and Light Grey finishes, and it'll set you back $400 / £299 (which is around AU$579), whichever color you go for.

How good does it sound? I can't vouch for that yet. But I'll be working on it…

That includes a load of fantastic audio tech — including new options good enough to challenge the best wireless speakers, the best turntables, the best DACs to get more from streaming music on your PC or phone, and the best stereo speakers.

Our expert reviewers have tested a lot of stuff, and some products have proven to be the cream that rises to the top. Here are the products in these areas that scored either 5 stars or 4.5 stars in our reviews, making them best-in-class or highly recommended.

Wireless & stereo speakers

Wharfedale Diamond 12.1i

• Score: 5 / 5
• Price: $499 / £249 / AU$699 (pair)

What is it? The latest bookshelf stereo speakers in Wharfedale's famous 'Diamond' line, which is over 40 years old and clearly still going strong. They're two-way speakers with a 25mm tweeter, a 130mm mid/bass driver, and deliverying a frequency range of 65Hz - 20kHz. And they're easy to drive, and flexible on positioning — a great beginner hi-fi model.

What we said: "The Wharfedale Diamond 12.1i speakers turn out to be (yet another) high-achieving-yet-affordable loudspeaker option. They sound excellent, they're very unfussy about what drives them, they look and feel good, and they're extremely well priced. They're a little large for a pair of ostensibly 'bookshelf' speakers, so be warned if you're actually looking to put them on shelves, but that's easily forgiven."

Read our full Wharfedale Diamond 12.1i review

Cambridge L/R S

What is it? Small and stylish active stereo speakers with wireless connectivity as well as wired digital and analogue connections. There's 100 watts of Class D amplification powering a 21mm tweeter and 76mm mid/bass driver combo, and the connection stretch to USB-C, line-level stereo RCA, digital optical input, a pre-out for a subwoofer, and Bluetooth (with aptX HD codec compatibility).

What we said: "The Cambridge L/R S is a good-looking, well-built wireless active stereo speaker system that has the bold sound smarts to back up the fine, multi-option visuals. Sure, it's a little too confident at the bottom of the frequency range, with too much weight given to bass information, but for the money it's a genuine contender in an already-stacked market. Requires serious consideration."

Read our full Cambridge L/R S review

Sonos Play

• Score: 4.5 / 5
• Price: $299 / £299 / AU$499

What is it? Sonos' mid-size portable speaker, with enough power and quality to work as a home speaker, but a battery and charging cradle so you can take it away instantly. With audio input as an option over its USB-C port (via an adapter) it's incredible versatile — it's also tough and waterproof.

What we said: "The Sonos Play is a triumph of usability. It has just the right design and convenience considerations to make you pick it up and use it more often than other speakers, even great portable ones. To paraphrase a notable camera quote: the best speaker is the one you choose to listen on. The Sonos Play encourages me to listen more, in more places. It doesn't hurt that it sounds better than most portable speakers, too, and can hold its own as a home speaker."

Read our full Sonos Play review

Fluance Ri91

• Score: 4.5 / 5
• Price: $799 (about £640 / AU$1,270)

What is it? Big floorstanding active speakers with the power of a full hi-fi system, but no need for a separate amp or inputs. There's 150 watts of power behind two 6.5-inch mid/bass drivers and an AMT tweeter per speaker, and connections include HDMI, two RCA inputs, a subwoofer out, and Bluetooth (including aptX HD).

What we said: "The Fluance Ri91 sound great when turned up, though they can be a bit mid-focused, especially for those looking for neutral-sounding speakers. The included HDMI ARC input (quality control issues notwithstanding) are appreciated, as is the ability to stream higher-res audio over Bluetooth aptX."

Read our full Fluance Ri91 review

Denon Home 400

• Score: 4.5 / 5
• Price: $599 / £449 (around AU$999)

What is it? A relatively hefty and powerful wireless speaker (think of it as a fair bit bigger than a toaster), that uses six-drivers to deliver expansive Dolby Atmos spatial sound. There are left and right drivers, upfiring drive units, and two 4.5-inch woofers, all with their own Class D amplification. It uses the Denon HEOS wireless system and app, which is powerful and well-specced too.

What we said: "It's a home speaker that delivers where it counts, and is probably the most compelling single-unit spatial audio offering at this price, where it goes head-to-head with some serious competition. It offers confident, engaging and immersive spatial audio performance, a thoughtful and stylish design, and a great range of connectivity options, along with an excellent HEOS app. It sounds wonderful in its default Auto mode or the slightly more balanced Pure mode, but it really rewards those of us who tinker a bit, especially if you mess around with some of the customization options for the width and height of spatial sound."

Read our full Denon Home 400 review

Klipsch The Nines II

• Score: 4.5 / 5
• Price: $2,399 / £2,249 / AU$4,999

What is it? A pair of active standmount stereo speakers (their size and weight maybe pushes them beyond being 'bookshelf' speakers, really) that deliver tons of power connectivity with any extra components needed. They can be a soundbar replacement with HDMI and Dolby Atmos/DTS:X support, plus they have Bluetooth and Wi-Fi for music, as well as optical, phono, USB, coaxial, and ethernet.

What we said: "The Klipsch The Nines II are an easy recommendation despite the weight and despite the price bump over the previous version. It's thanks to the immersive, robust sound and large set of features, not to mention broad connectivity — they're an excellent all-in-one hi-fi upgrade."

Read our full Klipsch The Nines II review

Sonos Era 100 SL

• Score: 4.5 / 5
• Price: $189 / £169 / AU$289

What is it? A cheaper version of Sonos' entry-level home speaker, delivering all the same connectivity as the regular Era 100 (including Bluetooth and Wi-Fi, plus line-in over its USB-C port using an adapter) and the same sound quality, but for cheaper. You lose voice control and Quick Trueplay on Android as a result, but it's hard to argue with the price.

What we said: "What Sonos has achieved with the Era 100 SL is impressive. It has managed to pack in the same quality sound, great connectivity and iconic design, while dropping the price to a more affordable level. But there are absolutely some compromises — voice control is absent here, while Android users will miss out Sonos' room correction. Despite this though, it's one of the strongest performers in its price range, making it an easy choice if you never invested in the original Era 100."

Read our full Sonos Era 100 SL review

Turntables

Sony PS-LX5BT 

• Score: 4.5 / 5
• Price: $499 / £399 / AU$599

What is it? Sony's successor to its previous and wildly popular affordable Bluetooth turntable, bringing fully automatic operation and Bluetooth connectivity in a sleek design. The ultimate beginner turntable? Well, there's a cheaper version that might be more tempting, but for the price, it's hard to argue with.

What we said: "The Sony PS-LX5BT picks up where the PS-LX310BT it replaces left off — as one of the best pound-for-pound Bluetooth turntables around. If you want the most painless vinyl experience possible, you’ve come to the right place."

Read our full Sony PS-LX5BT review

Goldring GR3

• Score: 4.5 / 5
• Price: $1,299 / £699 (around AU$1,599)

What is it? Goldring is one of the oldest hi-fi companies in the world, and hasn't made a turntable in several decades — and now it's back with a very well-specified and great-looking new model. A built-in phono stage and high-quality provided cartridge make it great for relative novices, though it's odd that you can't bypass that phono.

What we said: "Goldring has managed to enter a tricky area of the turntable market with a player that is distinct enough (where finish, specification and sound quality are concerned) to stand out and make quite a compelling case for itself."

Read our full Goldring GR3 review

Headphone DACs

Fiio KA15

• Score: 5 / 5
• Price: $99.99 / £99.99 / AU$189.99

What is it? This tiny DAC blends the retro with the modern. It does a better job of converting hi-res audio to analog than your device's built-in DAC will, and has a fun little cassette animation while it plays.

What we said: "If you have big audio ambitions and a very small budget, the KA15 is excellent value for money. It's a significant upgrade in sound quality for smartphones and computers, and while it's not as powerful as a desktop headphone amp it has more than enough oomph for a wide range of headphones and IEMs so it's fairly future-proof."

Read our full Fiio KA15 review

Eversolo DAC-Z10

• Score: 5 / 5
• Price: $1,980 / £1,939 / AU$3,339

What is it? A super-versatile addition to a hi-fi setup, providing a high-end DAC system, a pre-amp, and a powerful headphone amp all in one unit. It's pricey, but it's incredibly well-specified, making it kind of a bargain — at least as far as premium hi-fi goes.

What we said: "The Eversolo DAC-Z10 won’t fail to satisfy, provided your partnering equipment is up to scratch. It’s a premium DAC for a premium system, and offers all the bells and whistles you could hope for as a result, as well as immaculate sound quality that specializes in finding every possible grain of detail in your music. It's simply as capable a DAC/preamp/headphone amp as this sort of money can buy."

Read our full Eversolo DAC-Z10 review

iFi GO Link 2

• Score: 4.5 / 5
• Price: $59 / £59 (around AU$111)

What is it? A no-fuss, super-small headphone DAC to make it easy to use wired headphones and earbuds with your phone or laptop, and with an audio upgrade along the way. Oh, and it's super-cheap as a bonus.

What we said: "The iFi Go Link 2 takes everything that's great about the original and packs it into a dinky DAC that's even smaller and lighter than before. It's a fantastic audio upgrade and it's priced very keenly, too."

Read our full iFi Go Link 2 review

Blockbuster movies often come with interesting collaborations, and Christopher Nolan's The Odyssey is no exception: in addition to a rather nifty Trojan horse popcorn rather nifty Trojan horse popcorn bucket, you can also get your hands on a strictly limited edition Bluetooth speaker from audio experts Klipsch that promises audio that will "defy the gods".

And if there's one thing we know from Greek mythology, it's that defying the gods always ends well.

The new speaker is limited to 2,500 devices worldwide and is based on Klipsch's Music City Series Detroit platform. The Detroit is the largest of the Music City speakers, with dual one-inch tweeters and dual three-inch woofers. This special edition is inspired by the movie design of Odysseus' sword and features "battle-worn finishes, hand-distressed detailing, and brass accents that evoke an ancient artifact carried through an epic journey."

It looks like a lot of fun, and I'm very much enjoying the irony of the team-up here: The Odyssey director Christopher Nolan is infamous for making movies where the dialog is really hard to hear.

Klipsch x The Odyssey Limited Edition Speaker: key features and pricing

The Odyssey speaker features Bluetooth 5.3 with 40ft range, 20 hours of battery life and 18W USB-C charging. You can connect up to 10 Klipsch speakers in broadcast mode for a more immersive audio experience (though I'm not sure it's strictly how Nolan would like you to enjoy the movie…), and the speaker is IP67-rated and can survive water immersion for over 30 minutes.

You can customize the bass, mids and treble with the Klipsch Connect Plus app, which also delivers over-the-air firmware updates and tech support.

The recommended price of the Klipsch x The Odyssey Limited Edition Speaker is $499 (about £379 / AU$723) and it'll be sold online at Klipsch.com as well as through retailers including Amazon and RC Wiley.

That means it's significantly more expensive than the standard Detroit: that's currently on offer for $194 at Best Buy in the US and £299 at Currys in the UK. But of course that model doesn't have the movie magic and unique detailing of the limited edition.

• Browse the full Amazon Prime Day sale

Right now, you can buy the Tribit Stormbox Micro 3 for $47.49 (was $64.99) at Amazon US, which represents a chunky 27% discount. If you're in the UK, you can get a sweet deal as well. That's because the Tribit Stormbox Micro 3 is £49.99 (was £62.99) at Amazon, which is more than 20% off.

The Stormbox Micro 3 delivers deep and distinguished bass, clear all-round sound, and a super-durable build. It's also phenomenally compact, making it the ideal audio companion to take on your travels this summer. If you want to find out more about these blistering bargains, simply scroll on down.

Today's best Tribit Stormbox Micro 3 deal in the US

Today's best Tribit Stormbox Micro 3 deal in the UK

In my Tribit Stormbox Micro 3 review, I rated the speaker 4.5 stars, which is an exceptional score for a small, budget-friendly speaker. Why? Well it comes down to a few things.

First of all, it sounds so much better than you'd expect for a model in this size-class. While a lot of palm-sized speakers struggle to crank out striking low-end sound, it's no problem for the Stormbox Micro 3. Bass hits hard, but not in an uncontrolled or unrefined way — it's responsive and relatively full-sounding too. In addition, vocals and guitars in the mid-range come through with impressive clarity, and percussion in the treble is controlled, never sounding tinny (unless you're cranking the volume to 100, which is rarely a good idea with small speakers anyway).

IP68 waterproofing means the speaker is fully protected against particle ingress, but also capable of surviving a 1.5 meter dive underwater for up to 30 minutes. So if you want to bring it with you for a swim in the pool, for instance, you're in luck.

It also has a magnetic base, a nifty companion app, and a massive 24-hour battery life, cementing it as one of the best Bluetooth speakers in its weight class alongside the likes of the JBL Go 5 and Edifier ES20. So, what are you waiting for? Scoop up this awesome Bluetooth speaker for less while you still can!

More Prime Day deals in the US

• Amazon Devices: Fire Sticks & Echo from $18
• Amazon Haul: viral gadgets, tech & appliances from $1.99
• Apple: MacBooks, AirPods & AirTags from $29
• Beauty: 50% off toothbrushes & hair tools
• Cheap TVs: smart TVs from $69.99
• Garden: tools, mowers, planters from $24.99
• Headphones: 50% off Beats, Bose & Samsung
• Laptops: Apple, HP & Dell from $199
• Mattresses: Sealy, Serta & more from $186
• Patio: outdoor furniture, rugs & decor from $19.99
• Sports: 50% off fitness gear, treadmills & clothing
• Vacuums: Dyson, Shark & Bissell from $34

More Prime Day deals in the UK

• Amazon Prime: get a 30-day free trial
• Amazon Devices: Fire, Ring & Blink from £13.99
• Amazon Haul: up to 30% off
• Apple: up to 33% off AirPods & Apple Watch
• Appliances: up to 45% off Ninja & De'Longhi
• Beauty: up to 60% off Philips & Oral-B
• Essentials: household goods from £5
• Fans: from £20
• Fashion: up to 50% off
• Gaming: up to 25% off SSDs & games
• Grand Theft Auto 6: pre-order now
• Headphones: up to 50% off Beats & Sony
• Laptops: from £149
• Tablets: Samsung & Lenovo from £79.99
• Toys: up to 25% off Lego and Tonies
• TVs: from £129.99
• Vacuums: up to 40% off Shark & Roborock
• Wearables: up to 30% off Garmin & Oura

The full-size HomePod 2 is also getting a price change, but it's a more palatable 17%, meaning that it's changing from costing $299 / £299 to now $349 / £349.

I think the HomePod 2 can take that price rise, even though I'd obviously rather we were still in an era when products came down in price over time; the big HomePod is already a more premium product, and still sounds very good for the price.

But I think this change is devastating to the HomePod mini. I reviewed it when it came out, and I was so impressed by the dynamic range of its sound and its detail, bearing in mind not only the price, but the size. For ages, I had a pair as my desktop speakers out of choice, even though, as an audio editor, I can get my hands on pretty much any stereo setup I want to try.

As a result, I've been strongly recommending the HomePod mini since it came out, and advocating for its position as the best 'cheap' option in our list of the best wireless speakers. Being a HomePod, it's very limited as to who it's ideal for (all-Apple households, basically), but it's been in a totally different league to anything else when it comes to value since it's launch, in my opinion — yes, even five years later.

Well, until today.

The problem is that the gap has very suddenly closed between it and the next-best cheaper wireless speaker, which is the freshly released Sonos Era 100 SL.

The Sonos speaker has much bigger sound, Android and iOS support for all streaming services, Bluetooth as well as AirPlay and direct app control, and the ability to connect analog devices via an adapter — it's way more capable, but it was fair enough that the HomePod doesn't do all that considering its lower price.

At the start of this week, there was $90 / £70 between them. Today, the gap between them is $30 / £12.

Today's best Sonos Era 100 SL prices

Now, that's a slightly unfair comparison — I'm comparing full price to the Sonos' discounted price — but it's a very practical one, because it's the real choice most people will face when they buy.

The biggest sales for something like the Sonos Era 100 SL happen during sales events. Right now, it's Amazon Prime Day. Soon, it will be the July 4th sales in the US. And obviously Black Friday is huge for selling this stuff — the Era 100 SL will be discounted to this kind of level at all these times, and more besides.

The HomePod mini was very rarely discounted, by comparison, and usually only by a couple of bucks. So once this price rise settles in, and at the times most people are actually thinking about which one to buy, the comparison of the $129 / £129 very limited HomePod mini vs the $159 / £141 chad Sonos Era 100 SL is going to be the choice people will actually face.

And despite being the HomePod mini's strongest advocate since its launch, I'm just not going to be able to recommend it any more.

More Prime Day deals in the US

• Amazon Devices: Fire Sticks & Echo from $18
• Amazon Haul: viral gadgets, tech & appliances from $1.99
• Apple: MacBooks, AirPods & AirTags from $29
• Beauty: 50% off toothbrushes & hair tools
• Cheap TVs: smart TVs from $69.99
• Garden: tools, mowers, planters from $24.99
• Headphones: 50% off Beats, Bose & Samsung
• Laptops: Apple, HP & Dell from $199
• Mattresses: Sealy, Serta & more from $186
• Patio: outdoor furniture, rugs & decor from $19.99
• Sports: 50% off fitness gear, treadmills & clothing
• Vacuums: Dyson, Shark & Bissell from $34

More Prime Day deals in the UK

• Amazon Prime: get a 30-day free trial
• Amazon Devices: Fire, Ring & Blink from £13.99
• Amazon Haul: up to 30% off
• Apple: up to 33% off AirPods & Apple Watch
• Appliances: up to 45% off Ninja & Tefal
• Beauty: up to 60% off Philips & Oral-B
• Essentials: household goods from £5
• Fans: from £20
• Fashion: up to 50% off
• Gaming: £90 off PlayStation 5
• Headphones: up to 50% off Beats & Sony
• Laptops: from £149
• Tablets: Samsung & Lenovo from £79.99
• Toys: up to 25% off Lego and Tonies
• TVs: from £129.99
• Vacuums: up to 40% off Shark & Roborock
• Wearables: up to 30% off Garmin & Oura

• Browse the full Amazon Prime Day sale

One of the best offers out there just happens to be for our top overall Bluetooth speaker, the JBL Flip 7, which Amazon has kindly knocked $55 off taking it to $94.95 from $149.95. Equally, Amazon UK has dropped our 5-star JBL Charge 6 to £109.95 from £169.99, saving you £60.

But there's way more beyond that — froms a bulky speaker with audio that can reach a neighboring country, or a more compact device that doesn't compromise sound quality, I've gathered seven of the best JBL deals on Amazon right now just below.

Today's best JBL Bluetooth speaker deals in the US

Today's best JBL Bluetooth speaker deals in the UK

More Prime Day deals in the US

• Amazon Devices: Fire Sticks & Echo from $18
• Amazon Haul: viral gadgets, tech & appliances from $1.99
• Apple: MacBooks, AirPods & AirTags from $29
• Beauty: 50% off toothbrushes & hair tools
• Cheap TVs: smart TVs from $69.99
• Garden: tools, mowers, planters from $24.99
• Headphones: 50% off Beats, Bose & Samsung
• Laptops: Apple, HP & Dell from $199
• Mattresses: Sealy, Serta & more from $186
• Patio: outdoor furniture, rugs & decor from $19.99
• Sports: 50% off fitness gear, treadmills & clothing
• Vacuums: Dyson, Shark & Bissell from $34

More Prime Day deals in the UK

• Amazon Prime: get a 30-day free trial
• Amazon Devices: Fire, Ring & Blink from £13.99
• Amazon Haul: up to 30% off
• Apple: up to 33% off AirPods & Apple Watch
• Appliances: up to 45% off Ninja & Tefal
• Beauty: up to 60% off Philips & Oral-B
• Essentials: household goods from £5
• Fans: from £20
• Fashion: up to 50% off
• Gaming: £90 off PlayStation 5
• Headphones: up to 50% off Beats & Sony
• Laptops: from £149
• Tablets: Samsung & Lenovo from £79.99
• Toys: up to 25% off Lego and Tonies
• TVs: from £129.99
• Vacuums: up to 40% off Shark & Roborock
• Wearables: up to 30% off Garmin & Oura

I suspect, then, that many Brits will be heading to their local pool or beach to chill out a bit. But if you want to really enjoy the summery vibes, then I'd strongly recommend grabbing a Bluetooth speaker and blasting some tunes — and luckily, one of my favorite models is on sale for Amazon Prime Day.

• Browse the full Amazon Prime Day sale

Yes, you can snap up the JBL Charge 6 for £109.65 (was £169.99) at Amazon right now, which is an absolutely phenomenal price for what is an equally phenomenal Bluetooth speaker.

With amazing sound quality, a rugged build, and top-tier waterproofing, the JBL Charge 6 is the ultimate pool or beachside companion, so scroll on down to learn more about this unmissable offer.

Today's best JBL Charge 6 deal

In our JBL Charge 6 review, we rated the speaker five stars, and raved about its "even-handed and expressive sound," awesome power, and genuinely impressive build quality. And after testing it for myself, I'd agree that it's more than deserving of the high praise.

When I got my hands on the Charge 6, I was especially struck by its regimented, precise, and thumping bass, which made genres like House and Hip-Hop sound highly energetic and exciting. But this never got in the way of the rest of the frequency range — vocals and guitars in the mid-range and percussion in the treble also came through with commendable clarity and flair, resulting in a beautifully rounded listen.

But JBL's mid-weight speaker doesn't only sound great, it's also rammed with a fantastic feature-set. With customizable EQ, a battery-enhancing PlayTime Boost option, and lossless USB-C audio, this speaker really feels like the full package.

And what really helps it to stand out as a beach or poolside is its IP68 dust and waterproof rating. This means that the Charge 6 is fully protected against particle ingress, but it can also survive a 30-minute-long dunking under a meter and a half of water...pretty amazing, right?

Ultimately, this deal makes an already great-value Bluetooth speaker feel like a total bargain. And if you're looking to take your music-listening experiences to new heights this summer, then I'd strongly suggest scooping the Charge 6 up for less while you still can.

More Prime Day deals in the UK

• Amazon Prime: get a 30-day free trial
• Amazon Devices: Fire, Ring & Blink from £13.99
• Amazon Haul: up to 30% off
• Apple: up to 33% off AirPods & Apple Watch
• Appliances: up to 45% off Ninja & Tefal
• Beauty: up to 60% off Philips & Oral-B
• Essentials: household goods from £5
• Fans: from £20
• Fashion: up to 50% off
• Gaming: £90 off PlayStation 5
• Headphones: up to 50% off Beats & Sony
• Laptops: from £149
• Tablets: Samsung & Lenovo from £79.99
• Toys: up to 25% off Lego and Tonies
• TVs: from £129.99
• Vacuums: up to 40% off Shark & Roborock
• Wearables: up to 30% off Garmin & Oura

• Browse the full Amazon Prime Day sale

I'm a Senior Reviews Writer here at TechRadar, and I've spent years testing audio gear, including a large number of Bose Bluetooth speakers. And so, I've created a list of my 3 favorites — all of which I've tested personally and are on sale for Prime Day.

I've included options like the budget-friendly Bose SoundLink Flex Gen 2, which is $99 (was $149) at Amazon US and only £99.95 (was £149.95) at Amazon UK, as well as more premium models like the Bose SoundLink Max for $279 (was $399) at Amazon US and just £267.95 (was £399.95) at Amazon UK. Now then, let's get straight into my list!

Today's best Bose Bluetooth speaker deals in the US

Today's best Bose Bluetooth speaker deals in the UK

More Prime Day deals in the US

• Amazon Devices: Fire Sticks & Echo from $18
• Amazon Haul: viral gadgets, tech & appliances from $1.99
• Apple: MacBooks, AirPods & AirTags from $29
• Beauty: 50% off toothbrushes & hair tools
• Cheap TVs: smart TVs from $69.99
• Garden: tools, mowers, planters from $24.99
• Headphones: 50% off Beats, Bose & Samsung
• Laptops: Apple, HP & Dell from $199
• Mattresses: Sealy, Serta & more from $186
• Patio: outdoor furniture, rugs & decor from $19.99
• Sports: 50% off fitness gear, treadmills & clothing
• Vacuums: Dyson, Shark & Bissell from $34

More Prime Day deals in the UK

• Amazon Prime: get a 30-day free trial
• Amazon Devices: Fire, Ring & Blink from £13.99
• Amazon Haul: up to 30% off
• Apple: up to 33% off AirPods & Apple Watch
• Appliances: up to 45% off Ninja & Tefal
• Beauty: up to 60% off Philips & Oral-B
• Essentials: household goods from £5
• Fans: from £20
• Fashion: up to 50% off
• Gaming: £90 off PlayStation 5
• Headphones: up to 50% off Beats & Sony
• Laptops: from £149
• Tablets: Samsung & Lenovo from £79.99
• Toys: up to 25% off Lego and Tonies
• TVs: from £129.99
• Vacuums: up to 40% off Shark & Roborock
• Wearables: up to 30% off Garmin & Oura

JBL also makes loads of different options, so I though I'd help you narrow things down a bit, and have picked out three JBL speakers I’d actually spend my own money on — with speakers for all budgets.

I’ve selected a small, budget-friendly speaker, a mid-priced maestro, and a premium pick that’s ideal for parties — there really is something here for everyone. If a speaker hasn't make this list, it’s by no means a vote of no confidence; this is simply a list of the three I’d personally grab right now.

1. JBL Go 5

Let’s start with the small yet mighty JBL Go 5, which I recently reviewed and rated five stars. The Go 5 is, in my view, the best small speaker on the market right now, offering clear, precise, and well-balanced sound, alongside an extremely hardy build, and a stellar feature-set.

As a mini speaker, the Go 5 won’t be able to belt out earth-shaking bass, but it plays to its strengths. Low-end sound is agile and punchy rather than ‘boomy’ and uncontrolled. Meanwhile, mids are clear and composed, and treble is highly articulate, resulting in great sound within a small package.

There’s also USB-C audio for lossless playback and EQ options to tailor audio to your specific tastes. The Go 5 has a more layered, full sound than its predecessor, the JBL Go 4, so if you own that model, I’d still recommend upgrading.

Another reason to opt for the Go 5 over the Go 4 is its design. The newer variant is equipped with edge lighting that makes listening to music even more immersive — especially in low-lit rooms if you want a bit of ambience. Waterproofing also got a boost to IP68, meaning the Go 5 is fully dustproof and capable of surviving a 1.5 meter dunking underwater for as long as 30 minutes — ideal for beach trips and pool parties.

Mix in solid battery life, Auracast compatibility, as well as a drop proof exterior, and the JBL Go 5 really is the full package — albeit a small-sized one. It’s typically available for $54.95 / £39.99 (about AU$75) as well, meaning it’s an absolute bargain.

2. JBL Flip 7

If we’re talking about value for money, then the JBL Flip 7 might just be the greatest Bluetooth speaker I’ve ever tested. Big statement, I know.

The reason for this is actually fairly simple: the sound it produces defies belief — not only based on the speaker’s low price, but also on its low footprint. Yes, the five-star Flip 7 is very compact, but it produces big, impactful sound, with strikingly impactful bass that demands your attention. But this doesn’t come at the expense of the rest of the frequency range. Mids are layered and intricate with vocals sounding especially well-defined, while treble sounds exert a level of expressiveness that’s beyond expectation.

Elsewhere, the Flip 7 carries over a lot of the Go 5’s greatest features, like an IP68 rating, USB-C audio, Auracast, and PlayTime Boost if you need a bit more battery life — though the standard 14 hours should get you a decent way. Sure, there’s no edge lighting on this one, but it's a clear step-up in terms of sound quality and power — it has a 35W maximum power output compared to the Go 5’s humble 4.8W.

At $149 / £129 / AU$179, the Flip 7 already overdelivers against its asking price, but I’ve seen it pop up on sale plenty of times, so keep your eye out for a sweet deal.

3. JBL Xtreme 5

Last but most definitely not least, I have the JBL Xtreme 5. If you’re working with a larger budget, want massive sound, or want a speaker for parties, then this one’s for you. This model was released alongside the Go 5, so I also reviewed it very recently, and like its small counterpart, it earned a glowing five-star review.

But what makes the Xtreme 5 so special? Of course it has all of the aforementioned features, whether that be IP68 dust and waterproofing, wired lossless playback or personalizable EQ. But the big difference is made in the audio department.

The Xtreme 5 has a massive maximum power output of 130W, meaning it can supply seismic sound, with thumping bass, driven and direct mids, and vibrant highs. Although it's a great performer all-round, it really is the low-end that wows. I described this model’s bass as “mesmerizing” in my review, and during testing I was blown away by the sheer might of its low-end output, which was significantly improved from the JBL Xtreme 4.

In addition, the Xtreme can squeeze out up to 28 hours of playtime, has JBL EasySing Mic compatibility for karaoke, and like the Go 5 it has customizable LED lighting. If you want the ultimate portable party speaker, look no further than this. The Xtreme 5 usually sells for $399.95 / £329.99 (about AU$560), which is very competitive in the upper echelons of the Bluetooth speaker market, although it's undoubtedly quite the investment.

That’s right, a portable speaker is sure to bring the vibe up — well, if you’ve got one that’s actually good. And believe me, there are a lot of models out there that really aren’t worth your time. Whether it’s an unbranded speaker that only costs $15 / £15 and produces distorted sound, or an overpriced luxurious alternative, you’ll want to steer clear of the slop.

Luckily, I’ve tested more than 50 Bluetooth speakers, so I know good value when I see it. And today, I’m here to share three of my very favorite portable speakers with you, all of which are well worth their asking price, and excel in crucial areas like sound quality, design, and feature-set. So, want to ensure you get a high quality audio companion for the summer? Look no further than these top picks.

1. The ultra-cheap option: Tribit Stormbox Micro 3

I could’ve easily given this one to the JBL Go 5, but spoiler alert: JBL is featuring later on in this list — and hey, it’s good to get a bit of variety in there, right? And so, enter the Tribit Stormbox Micro 3, which is easily among the best Bluetooth speakers in the ultra-cheap category.

This palm-sized speaker offers a lot more quality than you’d expect at its moderate price point. What grabs you first is its seismic bass output. But don’t be fooled: this isn’t the bloated, overstated low-end that a lot of budget speakers produce — it’s impactful and commanding. This is great for genres with pumping bass like House and other electronic genres, for instance.

What’s more, this speaker is IP68-rated, meaning that it’s fully dustproof, and can survive a 30-minute-long dunking in a meter and a half of water. It's also made of a rough and ready fabric material, and is drop-proof, which, paired with its compact size, makes the Stormbox Micro 3 the ultimate speaker to take out and about.

Another real highlight is the Stormbox Micro 3’s 24-hour battery life, which is absolutely exceptional. For reference, that’s double the amount you’d get with the Bose SoundLink Micro Gen 2, and while that model may offer slightly more detailed mids and more expressive treble, its underwhelming bass and high price means I’d pick the Stormbox Micro 3 every time.

2. The mid-range maestro: JBL Flip 7

The JBL Flip 7 is one of those pieces of tech that seems too good to be true — except it isn’t.

It supplies sound far greater than you’d expect for its size, with huge yet controlled bass, powerful yet detailed mids, and vibrant yet articulate highs. The Flip 7’s dual-driver configuration and 35W max power output also helps it to get surprisingly loud, making it a versatile option for either bedroom listening or a party environment.

In addition, the Flip 7 is compatible with Auracast, enabling you to easily connect to other JBL speakers, there’s USB-C lossless audio support, and again, IP68 dust and waterproofing for on-the-go use. Sprinkle in a high-quality build, AI Sound analysis for optimized audio, and a neat array of color options, and the Flip 7 really does feel like the full package.

Usually, the Flip 7 will cost you about $149 / £129 / AU$179, but it goes on sale quite a lot of the time — even when writing this article, I spotted it going for less than $100 / £100 / AU$150, which is unspeakably good value for money.

3. The premium powerhouse: Marshall Kilburn III

Let’s finish up with the speaker I always reach for at my desk: the Marshall Kilburn III. This beautiful amp-inspired model is a true work of art, with faux-leather casing, a gorgeous metallic speaker grille, and eye-catching golden details. But it’s a lot more than a pretty face.

Yes, the Kilburn III sounds exceptional even with the lack of higher-res Bluetooth codecs like LDAC or aptX Adaptive. It serves up deep, regimented, almost moving bass, well-separated mids, and controlled highs, and there’s a great sense of balance right across the frequency range. The Kilburn III also makes use of Marshall’s “true” 360-degree stereophonic sound, which means the speaker has no real sweet spot — it sounds fantastic from all angles.

One of the things I love most about the Kilburn III, however, is its S-tier battery life. You get a mammoth 50 hours of playtime here, and there are also battery health options that you can activate in the Marshall Bluetooth app. On top of this, you get a 3.5mm port for wired listening, a USB-C port that enables you to charge external devices, and there’s even a placement compensation feature for getting optimized audio, no matter where your speaker sits.

At $379 / £299 / AU$599, this is by no means the cheapest speaker on the market, but I’ve seen it go on sale for less than $300 / £250 / AU$500 before. And if you’re looking for something with a touch of class, then it really doesn’t get much better than the Marshall Kilburn III.

The Sonos Era 100 SL is a wireless speaker that features nearly all the strengths of 2023’s original Sonos Era 100, but at a cheaper price. While it isn't a surprise that there have been some trade-offs to get that cost down, I doubt they'll be a dealbreaker for most people.

Sonically speaking, there aren’t many sacrifices at all. In the mid-range, the Era 100 SL is capable of impressive detail. When I played I Want You by Moloko, I was impressed by how well its funky guitar noises, strings and acidy synth line cut through the mix, without interfering with the wonderfully polished vocals.

However, I found the high end a little more cluttered on occasion: listening to The Gloaming by Radiohead, I did feel that the rhythmic pulsing static was a bit too forward, treading on the toes of the granular synth. It sounds great for the price, but you do get a finer presentation if you pay more.

Bass was always the original Era 100’s achilles heel. It often tipped into being brash, slightly swamping the rest of the mix. When I played Six Days (Machinedrum remix) by DJ Shadow on the SL, the low-end appeared slightly more dynamic when compared to the original Era 100, leading me to wonder if a software tweak to rein in bass was responsible, or whether it's part of the re-engineering inside that Sonos CEO Tom Conrad told us the company had done, to hit the lower price.

Either way, it still isn't great with sub, though: it falls away just when it hits the drop, that swelling bassline feeling nowhere near as substantial as it sounds on the best wireless speakers that are pricier.

Generally, though, the SL offers a spacious presentation, especially when fed high-quality recordings. Playing Wasting My Young Years by London Grammar from Tidal’s hi-res tier, I was struck by the airiness of the mix, which allowed the silvery vocals to stand apart from the piano and drums.

Unfortunately, this doesn’t quite extend to the speaker’s stereo field — as with its predecessor, I found it hard to differentiate a clear stereo separation unless I was very close. As such, you’re unlikely to get a clear sense of left and right from halfway across the room — but then, at this price, you could actually buy two happily.

So the Era 100 SL is as easy on the ear as its predecessor, albeit with some of the same drawbacks. But how does it look?

Given it’s largely decked out in the same getup as the Era 100, there really are few surprises here. It’s the same dimensions and has the same wraparound grille and matte-plastic top surface. The touch-capacitive control scheme is also largely identical — with the voice control button being the only real omission, because Sonos removed that feature. Otherwise, Sonos has stuck with what works for the SL, and I’d say that was the right instinct.

In fact, probably the only area where the SL makes a real departure from its namesake is in its feature set. Connectivity remains solid, offering Wi-Fi 6, AirPlay 2 and a whole host of built-in streaming services — although the only wired input you’ll get is if you splash extra cash on its USB-C to 3.5mm analog converter. EQ options are identical to those on the Era 100, offering just the option to boost or duck bass or treble.

But there are two significant differences. First off, as I alluded to above, voice control has been stripped out of the SL. This feels like a reasonable sacrifice to lower that price — and I’d rather that than weaker sound quality.

Slightly more an issue for me is the omission of Trueplay room correction for Android users (which is a consequence of dropping the microphones, since the Android solution relies on them). Those with an iPhone can still tailor the SL’s sound to their space using their device to track calibration sound as they walk around the room. Given how well this feature polishes its sound, it is a shame that you'll miss out if you're on an Android device.

Despite this though, the Sonos Era 100 SL is well worth it. You get the quality sound plus classic design of Sonos’s pricier speaker, for the reduced price of $189 / £169 / AU$289. That’s a pretty great bargain and ameliorates our biggest hesitation with its pricier predecessor. Yes, it's a shame that Android users miss out on a great feature but it's still the best home speaker you'll get for this price.

Sonos Era 100 SL review: specs

Sonos Era 100 SL review: price & availability

• Launched on March 31, 2026
• Costs $189 / £169 / AU$289
• Available in black or white

Having launched on March 31, 2026, the Sonos Era 100 SL is available now, at a cheaper price than its predecessor, the Era 100.

The SL comes in at $189 / £169 / AU$289, compared to the Era 100’s now-reduced price of $219 / £199 / AU$319. While not a huge gulf, it still amounts to a decent saving, especially given the near-identical specs.

And, as is usually the case with Sonos gear, for that price you have the option to pick up the speaker in white or black.

Sonos Era 100 SL review: features

• Good connectivity options and streaming service support
• Room correction only compatible with iPhone
• No voice control of any kind

So how does the Sonos Era 100 SL’s featureset differ from its spendier stablemate? Well, on paper, it’s very similar to the Era 100, with only a couple of key differences.

Let’s start with its drivers. The SL offers the same setup as as the Era 100, with a mid-woofer to handle both mid-range frequencies and bass, while two angled tweeters take care of the treble and help form its stereo field. These are all driven by the speaker’s three class D amplifiers, meaning you get decent volume and low-end heft.

Setting up Sonos products has always been a breeze, and the Era 100 SL is no exception. Simply plug it in, download the Sonos app, and select the system you want to add it to. Tap on your speaker when it appears, and it will play an audio pin to connect it to your system. After installing an update via the app, I was good to go.

The last (optional) step is to set up the SL’s Trueplay room-calibration tuning, which is designed to get you the best possible sound from the speaker, and that works much the same as it did on the Era 100.

Essentially, you point your iPhone’s mic toward the speaker, then walk around the room while whirling it around in slow circles with one arm, like a lopsided propeller.

Following calibration, the sound definitely seemed free of obvious acoustic issues — there wasn’t any boom back from the bass, nor any unfortunate reverberations off the surfaces or walls — so Sonos’ room correction seems as effective as ever.

Unfortunately, there’s a pretty major caveat here: unlike on the Era 100, the SL’s Trueplay tuning is only compatible with iOS. And that is a real shame, given it does help unlock the SL's best sound. However, it still offers great performance for Android users, even if the lack of Trueplay does add an asterisk there.

Trueplay for Android users isn’t the only feature removed to help reduce the SL’s price. The voice control offered by the full Era 100 has been omitted, too, saving you the price of the mic module and controls. Personally, it takes me far longer to horsewhip my thoughts into a spoken command than it does to simply pull out my phone, so I’m not all that bothered about the lack of voice assistant. But if you are, you’ll probably prefer the Era 100.

While I’ve mentioned how much I rate the Era 100 SL’s room-correction tech, I can’t really say the same for its EQ options. The Sonos app only offers the ability to boost or duck the treble or bass by up to 10 levels. While I do think Sonos’s speakers sound a lot better than some wireless speakers out of the box, plenty of rivals now offer nine-band or even parametric EQ — which makes the SL’s bass and treble sliders feel like old hat.

As far as connectivity options are concerned, the Era 100 SL offers a decent range. Using Wi-Fi 6, you can stream tunes directly from your devices using AirPlay 2, or from the speaker using built-in apps including Amazon Music, Apple Music, Deezer, Soundcloud, Spotify, Tidal and a whole heap more. Meanwhile, Bluetooth 5.3 will allow you to hook up all your non-Apple devices, although there’s no support for higher-res formats such as aptX HD.

Sadly, the Era 100 SL is less well equipped when it comes to physical connections. Its USB-C port is only for plugging in adapters, so banish any thoughts of hooking up wired digital audio. So while it does allow you the option for plugging in either a 3.5mm jack for analog audio or an Ethernet cable, each of these requires you to buy a separate adapter. It’s a world away from the wealth of ports that a speaker such as the Bluesound Pulse Flex offers.

• Features score: 4 / 5

Sonos Era 100 SL review: sound quality

• Impressive detail
• Rich mids, and bass feels slightly less muddy
• Relatively weak stereo field

My big worry when preparing to test the Sonos Era 100 SL was that in trying to hit the cheaper price point, there would have been a negative impact on the quality of its sound. Fortunately, I’m pleased to reveal this isn't the case — the Era 100 SL happily holds its own against its predecessor and, in some areas, I actually wonder if software tweaks have reined in some of the Era 100’s worst impulses.

First, let’s start with the mid-range. When listening to Venera by George Fitzgerald, I was impressed with how much presence and detail the SL could squeeze out of the track’s vocal, pad washes and synth lines, making them sound like a richly textured whole. Admittedly, some of the percussion felt a little less punchy than I’m used to, but that was more than made up for by how well it balanced the saturated, arpeggiated synth and organic organic woodwind sounds that close out the track.

The original Era 100 came unstuck mainly in the bass — like an overexcitable puppy, it was both enthusiastic and yet lacking in discipline. Here, it sounds like the SL’s software has been tweaked slightly to rein this in.

Comparing Listen by Pola & Bryson and Goddard on both speakers, sustained bass notes sound less reverberant and flabby on the SL, while snarling distorted bass synths seem more tightly expressed. However, not that if you’re expecting super-low bass from either device, you’ll be left wanting: there’s very little in the way of sub from either.

I tested the SL’s treble by playing Go Your Own Way by Fleetwood Mac — an exam it easily passed, even if it didn’t quite ace it. There wasn’t any unpleasant distortion or oversaturation to it, while the snare and toms had a delicious punch that kept everything moving forward. However, my one reservation was that the rhythmic punch and the polished vocals slightly outshone the twangy rhythm guitar — for me, they’re part of what makes the track so iconic, so it was a shame they didn't get to share as much of the limelight.

Given the Era 100 SL doesn’t exactly sit at the premium end of the market, it also does a good job of separating different instruments in the mix. Playing a hi-res stream of Clair de Lune by Kamasi Washington straight from Tidal, I was impressed by the clarity of timbre of each instrument, especially during the solos. The trumpet beautifully conveys the instrument’s rich harmonics, while the sliding strings of the double bass as the player launches into their solo are brilliantly expressed.

Like its predecessor, the SL is only capable of so-so stereo. Unlike some more premium speakers, it still largely feels like the sound is issuing from a single point. And when I played Manchild by Eels, I could appreciate the stereo separation between elements — with the guitars clearly panned to the right and the vocals to the left — but only when I was sat within a few feet of the device. At least listening angles are pretty consistent, with only a very slight drop off in the treble as you travel toward the speaker’s back.

All in all, my biggest worries going into this were ill-founded. Despite the cheaper price of the Sonos Era 100 SL, it doesn’t demonstrate any significant sonic sacrifices compared to its full-fat sibling. And there may have even been a few software tweaks behind the scenes to slightly rein in the wilder tendencies of the older speaker. Either way, it’s a very decent-sounding speaker for the price.

• Sound quality score: 4.5 / 5

Sonos Era 100 SL review: design

• Almost identical to the Era 100
• Solid, tactile build
• Effective touch-capacitive controls

When it comes to looks, the Sonos Era 100 SL remains almost identical to its older sibling. They share the same cylindrical ellipse shape, are wrapped in the same metallic grille, and arrive in the same black or white colorway. If you’ve ever gawked at the older Era 100, you’ll know exactly what you’re getting here.

All in all, the Era 100 SL is decently stylish, feels solidly built, and the matte plastic of its top surface is pleasingly tactile. While I’ve poured scorn on quite a few wireless speakers lately for defaulting to this same basic format, I’ll give Sonos a pass here. First off, it was largely the brand that coined this look in the first place — and, more importantly, the Era 100 SL is principally a cheaper speaker wearing its spendier brother’s clothing, meaning it was never going to break the mould of existing speakers.

In light of this, so not surprisingly, the Sonos Era 100 SL is the same size as its full-fat sibling, measuring 7.19 x 4.72 x 5.14 inches / 182.5 x 120 x 130.5mm. However, it's ever so slightly lighter — presumably thanks to its shedding of voice control mics — weighing in at 4.3lbs / 1.95kg compared to its predecessor’s 4.45lbs / 2.02kg. That makes it a pretty average size in the grand scheme of things, neither Lilliputian like the 0.96lbs / 0.44kg Sonos Roam 2, nor Brobdingnagian like the hulking, 3 lbs / 14.5kg Cambridge Audio Evo One.

With one notable exception, the erstwhile voice control button, the buttons on the Era 100 SL are the same. And that’s very much a plus: there’s no need to fix the Era 100’s control scheme since it definitely isn't broke. Its touch-capacitive controls are easy to activate, allowing you to play, pause and skip tracks, while swiping its touch bar lets you tweak its volume. Sure, it could offer light-up symbols for use in darker rooms or customizable shortcut keys, but it covers the core functions well.

Fundamentally, the Era 100 SL is the spitting image of the Era 100 before it. So if you were a fan of the older model, you can be sure you’ll like its younger sibling.

• Design score: 4 / 5

Sonos Era 100 SL review: value

In our review, one of our criticisms of the original Sonos Era 100 was its increased cost. Its initial list price of $249 / £249 / AU$399 presented a chunky markup on the Sonos One at $219 / £199 / AU$319 , but even more so when compared to the Sonos One SL's $199 / £179 / AU$289. Even though the Era 100 has now come down in price to $219 / £199 / AU$319, that’s still only roughly comparable to the Sonos One.

Conversely, the Era 100 SL has a list price of $189 / £169 / AU$289, making it the same price or even cheaper than the Sonos One SL but with many of the same features and the exact same sound quality as the Era 100. That’s not to be sneered at.

In fact, if you’re an iPhone user, the only real thing you’re losing here is voice control, something I’m personally happy to sacrifice for a bit of a bargain. And even if you’re an Android user, this price is still well worth it as you're unlikely to get much better performance by investing your spend elsewhere. Access to Trueplay is a definite bonus but that shouldn't detract from the fact the SL still offers great sound for its price.

• Value score: 4.5 / 5

Should I buy the Sonos Era 100 SL?

Buy it if…

Don’t buy it if…

Sonos Era 100 SL review: also consider